This is a postprint of an article submitted for consideration in Connection Science © 2009 [copyright Taylor & Francis]; Connection Science is available online at:http://www.tandfonline.com/openurl?genre=article&issn=0954-0091&volume=21&issue=2-3&spage=8
We have developed a new experimental method for interrogating statistical theories of music percepti...
Dean and Bailes (2010) provide a tutorial on the use of time-series analysis in research on music pe...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...
Previous studies of auditory expectation have focused on the expectedness perceived by listeners ret...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The present study assesses two types of models for melodic complexity: one based on expectancy viola...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
This is the author's accepted manuscript of this article. The final publication is available at Spri...
The present study assesses two types of models for melodic complexity: one based on expectancy viola...
Eerola (2016) evaluates models of musical complexity based on expectancy violation and information t...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Expectation plays a vital role in understanding how we experience music. Processing music requires l...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Dean and Bailes (2010) provide a tutorial on the use of time-series analysis in research on music pe...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...
Previous studies of auditory expectation have focused on the expectedness perceived by listeners ret...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The present study assesses two types of models for melodic complexity: one based on expectancy viola...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
This is the author's accepted manuscript of this article. The final publication is available at Spri...
The present study assesses two types of models for melodic complexity: one based on expectancy viola...
Eerola (2016) evaluates models of musical complexity based on expectancy violation and information t...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Expectation plays a vital role in understanding how we experience music. Processing music requires l...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Dean and Bailes (2010) provide a tutorial on the use of time-series analysis in research on music pe...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...