Lynden Barber has a solution to the malaise affecting the Australian film industry — and middle class arty types aren\u27t gonna like it, he warns in New Matilda. The scale of the audience crisis facing Australian films became dramatically clear to me last year when I went with my partner to see a new road movie called Cactus at Sydney\u27s Chauvel cinema. The screening was a depressing experience. Not because of the film, which we both enjoyed. The downer was the fact that our seats were the only ones of the cinema\u27s 365 to be occupied. This, please note, was not at the end of the film\u27s run or on a quiet, rainy night — it was on the film\u27s opening Sunday, with generally favourable (three and three and a half star) reviews, s...
This article discusses the problems that Australian films face in the big distribution model, and wa...
© The Author(s) 2017. Cinema is an art form widely recognised as an agent to change the social condi...
The box office is no longer a meaningful indicator of a film's impact or influence, writes Ramon Lob...
2014-07-03This thesis examines one of Australia’s most divisive and dynamic cultural debates in rece...
We have all become used to reading stories filled with alarm and recrimination, or (more rarely) ten...
Feature films remain critical flagships to any national film industry. Australian feature films can ...
We have all become used to reading stories filled with alarm and recrimination, or (more rarely) ten...
In recent years, Australian films have failed to capture the public’s attention at the Australian bo...
Executive Summary From 1906 to 1911, Australia was the most prolific producer of feature films in ...
There has been a renaissance in Australian genre cinema in recent years. Indeed, not since the 1980s...
There is a special sort of loneliness about sitting in a cinema on your own. Over the past ye...
Around three decades ago, multi-screen complexes began to transform the business and culture of cine...
Producers of screen fiction face a daunting challenge in capturing the attention of audiences. Films...
WHAT A PLEASUR TO OPEN the catalogue of the 44th Melbourne International Film Festival to discover t...
Australia\u27s theatre sector is described as alive, various, glorious, messy, idiosyncratic and ev...
This article discusses the problems that Australian films face in the big distribution model, and wa...
© The Author(s) 2017. Cinema is an art form widely recognised as an agent to change the social condi...
The box office is no longer a meaningful indicator of a film's impact or influence, writes Ramon Lob...
2014-07-03This thesis examines one of Australia’s most divisive and dynamic cultural debates in rece...
We have all become used to reading stories filled with alarm and recrimination, or (more rarely) ten...
Feature films remain critical flagships to any national film industry. Australian feature films can ...
We have all become used to reading stories filled with alarm and recrimination, or (more rarely) ten...
In recent years, Australian films have failed to capture the public’s attention at the Australian bo...
Executive Summary From 1906 to 1911, Australia was the most prolific producer of feature films in ...
There has been a renaissance in Australian genre cinema in recent years. Indeed, not since the 1980s...
There is a special sort of loneliness about sitting in a cinema on your own. Over the past ye...
Around three decades ago, multi-screen complexes began to transform the business and culture of cine...
Producers of screen fiction face a daunting challenge in capturing the attention of audiences. Films...
WHAT A PLEASUR TO OPEN the catalogue of the 44th Melbourne International Film Festival to discover t...
Australia\u27s theatre sector is described as alive, various, glorious, messy, idiosyncratic and ev...
This article discusses the problems that Australian films face in the big distribution model, and wa...
© The Author(s) 2017. Cinema is an art form widely recognised as an agent to change the social condi...
The box office is no longer a meaningful indicator of a film's impact or influence, writes Ramon Lob...