Add to ORKGThe symposium, organised by Katie Pratt, will centre on ways in which fora are created by both geometry and space (both pictorial and social: the gallery, for example). The focus will include how these tropes are being reconsidered in current practice. Speakers Professor Brandon Taylor, Andrew Bick, Katrina Blannin, Dan Roach, Katie Pratt, panel Chair: Dr.James Fishe
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
The following paper describes the conceptual framework and several works in the exhibition: (re)con...
The symposium, organised by Katie Pratt, will centre on ways in which fora are created by both geome...
The symposium, organised by Katie Pratt, will centre on ways in which fora are created by both geome...
The participating artists of this exhibition, curated by Katie Pratt, are Andrew Bick, Jo Bruton, Cl...
Art and science as a practice and interdiscipline must bear the weight of critical discourse if it i...
‘Brecht and the village of Figgate’ was a conference paper discussing the critical contextualization...
What we may know from abstract painting is that it deploys form in order to steal experience away fr...
The Architecture, Disciplinarity and the Arts symposium was organised by the Architecture. Theory, C...
This publication documents the exhibition and seminar at The Wilson, Cheltenham Art Gallery and Muse...
Two art exhibitions, “Training Humans” and “Making Faces,” and the accompanying essay “Excavating AI...
This thesis investigates the neighbourhoods of artistic abstraction and philosophical realism toward...
A vast set of associations surrounds both popular and academic ideas of what art actually entails. A...
This thesis seeks to explore the notion of non-representation in painting and consider our experie...
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
The following paper describes the conceptual framework and several works in the exhibition: (re)con...
The symposium, organised by Katie Pratt, will centre on ways in which fora are created by both geome...
The symposium, organised by Katie Pratt, will centre on ways in which fora are created by both geome...
The participating artists of this exhibition, curated by Katie Pratt, are Andrew Bick, Jo Bruton, Cl...
Art and science as a practice and interdiscipline must bear the weight of critical discourse if it i...
‘Brecht and the village of Figgate’ was a conference paper discussing the critical contextualization...
What we may know from abstract painting is that it deploys form in order to steal experience away fr...
The Architecture, Disciplinarity and the Arts symposium was organised by the Architecture. Theory, C...
This publication documents the exhibition and seminar at The Wilson, Cheltenham Art Gallery and Muse...
Two art exhibitions, “Training Humans” and “Making Faces,” and the accompanying essay “Excavating AI...
This thesis investigates the neighbourhoods of artistic abstraction and philosophical realism toward...
A vast set of associations surrounds both popular and academic ideas of what art actually entails. A...
This thesis seeks to explore the notion of non-representation in painting and consider our experie...
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
By common consent the grid as a structure came to dominate if not characterise modern art as a whole...
The following paper describes the conceptual framework and several works in the exhibition: (re)con...