Today, television is spreading centrifugally: it no longer requires a broadcasting schedule nor the furniture traditionally associated with it (the ‘box’ in the corner of the front room). In this age of Television-after-TV one phenomenon that is particularly important is the increasing access and ease of access to the televisual past. This article investigates (sometimes in a speculative manner) how these changes are forming and transforming popular historical consciousness: the ordinary sense that we have of living at a particular moment that is connected with and disconnected from what came before
This article investigates the trend represented by the recent TV series This Is England 86 (2010), D...
From Ken Burns\u27s documentaries to historical dramas such as Roots, from A&E\u27s Biography series...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television P...
Modern audiences engage with representations of the past in a particular way via the medium of telev...
Over the past few years, as television began to build a more solid history, televisual products have...
This thesis focuses on the reemergence of decades-old television broadcasts and the growth in popula...
There is a branch of history called archaeology. The source of information that archaeologists value...
American cable television news has emerged as one of the most important and contested media genres i...
In this article, television is reconsidered as a hybrid ‘repertoire’ of memory. It is demonstrated h...
Digitisation of historic TV material is driven by the widespread perception that archival material s...
We live at the intersection of several important events: the rise of the TV serial, the self-asserti...
I have always thought that the title of this journal indicated a certain lack of confidence about te...
From Ken Burns’s documentaries to historical dramas such as Roots, from A&E’s Biography series to CN...
Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television P...
This article investigates the trend represented by the recent TV series This Is England 86 (2010), D...
From Ken Burns\u27s documentaries to historical dramas such as Roots, from A&E\u27s Biography series...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television P...
Modern audiences engage with representations of the past in a particular way via the medium of telev...
Over the past few years, as television began to build a more solid history, televisual products have...
This thesis focuses on the reemergence of decades-old television broadcasts and the growth in popula...
There is a branch of history called archaeology. The source of information that archaeologists value...
American cable television news has emerged as one of the most important and contested media genres i...
In this article, television is reconsidered as a hybrid ‘repertoire’ of memory. It is demonstrated h...
Digitisation of historic TV material is driven by the widespread perception that archival material s...
We live at the intersection of several important events: the rise of the TV serial, the self-asserti...
I have always thought that the title of this journal indicated a certain lack of confidence about te...
From Ken Burns’s documentaries to historical dramas such as Roots, from A&E’s Biography series to CN...
Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television P...
This article investigates the trend represented by the recent TV series This Is England 86 (2010), D...
From Ken Burns\u27s documentaries to historical dramas such as Roots, from A&E\u27s Biography series...
In the modern, overabundant information landscape, information is accessible on and across multiple ...