The role of applied theatre practitioners, as active agents working within the contemporary, neoliberal city poses particular challenges for established practices, necessitating a reconsideration of the role of arts intervention in the city. Forgotten Futures – Memories, Maps and Movementis an arts intervention project conducted in nursing homes in Liverpool city, where people living with dementia tell their stories (both reminiscent and imaginative) about their relationship with the city of Liverpool. The project explores themes of place, identity, maps, and how the movement of people - the diaspora in particular - colour the fabric of any given city and ask bigger questions about patterns and placing of people globally. The project explor...
In 2011 the Banks Peninsula experienced an unprecedented natural disaster. This disaster, anearthqua...
This research is part of an AHRC funded Practice-as-Research PhD currently being undertaken at the U...
‘Dis-identifications from dominant models of subject-formation can be productive and creative’ (Brai...
The role of applied theatre practitioners, as active agents working within the contemporary, neolibe...
What is the human in production? Join Liverpool Hope University in Tate Exchange for a week-long ...
Monumental Amnesia:Reading the Spatial Narratives Written by Contemporary Urban Landscapes This thes...
What is a memory? What is the past? A memory is not happening in terrain, in section or in plan. All...
yesWithin the dominant biomedical discourse, late-life dementia is regarded as a pathological condit...
Urban places are typically designed and represented as static images. Yet people’s dynamic engagemen...
A deficit framing continues to surround the perceived capabilities of people with dementia to compre...
This thesis explores the relationships between different memory narratives within the unglamorous, e...
What would it mean to think about cities marked by past structures of violence and exclusion as wou...
In a fast moving metropolitan city like London, urban pockets that alter the rhythm and synchrony of...
As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and...
This thesis examines ways in which the re-presentation of the city in literature can serve as a mode...
In 2011 the Banks Peninsula experienced an unprecedented natural disaster. This disaster, anearthqua...
This research is part of an AHRC funded Practice-as-Research PhD currently being undertaken at the U...
‘Dis-identifications from dominant models of subject-formation can be productive and creative’ (Brai...
The role of applied theatre practitioners, as active agents working within the contemporary, neolibe...
What is the human in production? Join Liverpool Hope University in Tate Exchange for a week-long ...
Monumental Amnesia:Reading the Spatial Narratives Written by Contemporary Urban Landscapes This thes...
What is a memory? What is the past? A memory is not happening in terrain, in section or in plan. All...
yesWithin the dominant biomedical discourse, late-life dementia is regarded as a pathological condit...
Urban places are typically designed and represented as static images. Yet people’s dynamic engagemen...
A deficit framing continues to surround the perceived capabilities of people with dementia to compre...
This thesis explores the relationships between different memory narratives within the unglamorous, e...
What would it mean to think about cities marked by past structures of violence and exclusion as wou...
In a fast moving metropolitan city like London, urban pockets that alter the rhythm and synchrony of...
As sites of turbulence and transformation, cities are machines for forgetting. And yet archiving and...
This thesis examines ways in which the re-presentation of the city in literature can serve as a mode...
In 2011 the Banks Peninsula experienced an unprecedented natural disaster. This disaster, anearthqua...
This research is part of an AHRC funded Practice-as-Research PhD currently being undertaken at the U...
‘Dis-identifications from dominant models of subject-formation can be productive and creative’ (Brai...