L'écriture féminine sought to challenge phallocentrism and open up alternative textual spaces to articulate sexual difference. Whilst it emerged very specifically in a French context, it was perhaps most notably appropriated by Anglo-American theorists and practitioners. This article provides a critique of how women and second-wave feminist artists in particular have drawn on the strategies and thinking of l'écriture féminine beyond its French milieu. In doing so, it reconceptualizes l'écriture féminine as an intertextual entity and multi-layered discourse, and explores how it may be conceived in relation to postfeminism to provide ways to think about difference differently
In 1983 Moira Gatens published ‘A Critique of the Sex/Gender Distinction’ (hereafter, ‘Critique’). S...
Questions of sexual identity : repressed history of art Until the grand narrative of modernism and ...
Abstract The present research paper sheds light on and deliberates the new perspectives offered ...
This thesis critically interrogates the concept and practice of l’écriture féminine as proposed by H...
woman enough Irigaray’s culture of difference Abstract This article examines the limitations associa...
This thesis offers an exploration of the writing of an irreducible feminine difference in four nove...
In this article I explore the feminism of contemporary women’s film, video and installation art thro...
This chapter explains the main conceptions of sexual difference that have influenced feminist theory...
My dissertation looks at the connections between Lacan’s four discourses and the sexuation graph in ...
Is the analysis of Visual Culture comprehended by a comparatist methodology? Is the grammar of repre...
This article examines the limitations associated with Irigaray’s concept of a culture of difference....
This dissertation starts with the conviction that contemporary feminist theory should not be conside...
The quintessential attachment of postmodernism with challenging the master codes and metanarratives ...
The phallogocentric stucture of language privileges the male in construction of meaning throughout t...
This dissertation is an archaeology of so-called Weibersprache. While the concept of feminine langua...
In 1983 Moira Gatens published ‘A Critique of the Sex/Gender Distinction’ (hereafter, ‘Critique’). S...
Questions of sexual identity : repressed history of art Until the grand narrative of modernism and ...
Abstract The present research paper sheds light on and deliberates the new perspectives offered ...
This thesis critically interrogates the concept and practice of l’écriture féminine as proposed by H...
woman enough Irigaray’s culture of difference Abstract This article examines the limitations associa...
This thesis offers an exploration of the writing of an irreducible feminine difference in four nove...
In this article I explore the feminism of contemporary women’s film, video and installation art thro...
This chapter explains the main conceptions of sexual difference that have influenced feminist theory...
My dissertation looks at the connections between Lacan’s four discourses and the sexuation graph in ...
Is the analysis of Visual Culture comprehended by a comparatist methodology? Is the grammar of repre...
This article examines the limitations associated with Irigaray’s concept of a culture of difference....
This dissertation starts with the conviction that contemporary feminist theory should not be conside...
The quintessential attachment of postmodernism with challenging the master codes and metanarratives ...
The phallogocentric stucture of language privileges the male in construction of meaning throughout t...
This dissertation is an archaeology of so-called Weibersprache. While the concept of feminine langua...
In 1983 Moira Gatens published ‘A Critique of the Sex/Gender Distinction’ (hereafter, ‘Critique’). S...
Questions of sexual identity : repressed history of art Until the grand narrative of modernism and ...
Abstract The present research paper sheds light on and deliberates the new perspectives offered ...