The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3.11’, the date of the earthquake), had a lasting impact on Japan’s identity and global image. In its immediate aftermath, mainstream media presented the country as a disciplined, resilient and composed nation, united in the face of a natural disaster. However, 3.11 also drew worldwide attention to the negative aspects of Japanese government and society, thought to have caused the unresolved situation at Fukushima. Spurred by heightened emotions following the triple disaster, the Japanese became increasingly polarised between these two views of how to represent themselves. How did literature and popular culture respond to this dilemma? Re-ima...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku ...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
The impact of the 2011 Tōhoku earthquake and tsunami that hit Japan on the 11th of March (3.11) exte...
This paper will examine the foreign media representation of Japanese people and their behaviour foll...
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
Atomic metaphors permeated daily life as the world reacted to the atomic bombings of Japan and the n...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
With the motivation of contributing to further development of the emerging field of intercultural cr...
With the motivation of contributing to further development of the emerging field of intercultural cr...
The Great East Japan Disaster of 2011 provides an important case study to evaluate how western media...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku ...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
"The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3....
The impact of the 2011 Tōhoku earthquake and tsunami that hit Japan on the 11th of March (3.11) exte...
This paper will examine the foreign media representation of Japanese people and their behaviour foll...
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
The purpose of this thesis is to examine three major turning points in Japanese history and the evol...
Atomic metaphors permeated daily life as the world reacted to the atomic bombings of Japan and the n...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
With the motivation of contributing to further development of the emerging field of intercultural cr...
With the motivation of contributing to further development of the emerging field of intercultural cr...
The Great East Japan Disaster of 2011 provides an important case study to evaluate how western media...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...
Known colloquially as “3.11,” the triple disaster that struck Japan’s northeastern region of Tōhoku ...
The history of Japan teaches us that artistic and cultural production (as well as consumption) was a...