Examining comics as documentary, this book challenges the persistent assumption that ties documentary to recording technologies, and instead engages an understanding of the category in terms of narrative, performativity and witnessing. Through a cluster of early twenty-first century comics, Nina Mickwitz argues that these comics share a documentary ambition to visually narrate and represent aspects and events of the real world
This cutting-edge handbook brings together an international roster of scholars to examine many facet...
Thesis (Ph.D.)--University of Washington, 2016-06Tracing the emergence and popularity of comic art a...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
"Graphic Documentaries: Drawing Reality in Hispanic Graphic Narrative" is a study of nonfiction grap...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
This BA thesis discusses modern military conflicts representation in pop culture, answering the ques...
A comic can tell the story of almost anything: a single atom, the entire solar system, the past, fut...
While comics have been established as primary sources in various fields of historical research—as we...
Comics that claim their stories are based on actuality rather than imagination and negotiate particu...
This paper considers potential ways comics narratives with a documentary claim can participate in th...
Dominic Davies, Candida Rifkinf (eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Hist...
Building off the argument that comics succeed as literature--rich, complex narratives filled with co...
Comics can appear in print and digital formats as newspaper cartoon, comic strip, a story of one or ...
The development of comics studies in the United States has been linked to the institutionalization o...
PLATZ CORTSEN Rikke (ed.), LA COUR Erin (ed.), MAGNUSSEN Anne (ed.) Comics power : representing and ...
This cutting-edge handbook brings together an international roster of scholars to examine many facet...
Thesis (Ph.D.)--University of Washington, 2016-06Tracing the emergence and popularity of comic art a...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...
"Graphic Documentaries: Drawing Reality in Hispanic Graphic Narrative" is a study of nonfiction grap...
This book analyses the relationship between comics and cultural memory. By focussing on a range of l...
This BA thesis discusses modern military conflicts representation in pop culture, answering the ques...
A comic can tell the story of almost anything: a single atom, the entire solar system, the past, fut...
While comics have been established as primary sources in various fields of historical research—as we...
Comics that claim their stories are based on actuality rather than imagination and negotiate particu...
This paper considers potential ways comics narratives with a documentary claim can participate in th...
Dominic Davies, Candida Rifkinf (eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Hist...
Building off the argument that comics succeed as literature--rich, complex narratives filled with co...
Comics can appear in print and digital formats as newspaper cartoon, comic strip, a story of one or ...
The development of comics studies in the United States has been linked to the institutionalization o...
PLATZ CORTSEN Rikke (ed.), LA COUR Erin (ed.), MAGNUSSEN Anne (ed.) Comics power : representing and ...
This cutting-edge handbook brings together an international roster of scholars to examine many facet...
Thesis (Ph.D.)--University of Washington, 2016-06Tracing the emergence and popularity of comic art a...
Thesis: S.M. in Comparative Media Studies, Massachusetts Institute of Technology, Department of Huma...