Add to ORKGMusical score of images and texts based on the theory of Flat Time proposed by artist John Latham, digital audio 'score' of temporal markers, live music performance of the piece. Two performances to date: Whitechapel Gallery, London (2010), and CIT Cork School of Music (2011). Small extracts from the first of these performances have been edited as Particles with the intention of using these fragments as sound markers within the Ligatus online John Latham archive
Whilst historically informed performance normally makes use of instruments of the era from which the...
A group show, consisting of 1 work, at SE8 Gallery, London, UK. THE HALF-SHUT DOOR 18th February – 1...
2011-07-31Be Quiet: Music Outside of Time reconsiders sound as a particle that exists in a micro-tim...
Musical score of images and texts based on the theory of Flat Time proposed by artist John Latham, d...
This chapter attempts an exegesis of a musical composition from 2010, a six-page score of text and v...
Live processing is altering and affecting the sounds of instruments, live without the aid of fixed m...
Outline This was my first solo performance using spatial music technologies. The system I am using i...
“Arrival Time”, is a multi-channel sound installation. This is a durational composition, in which op...
At the time of writing at least twenty years of extended sound-based performance via the internet is...
Digital recording, editing and signal processing offer performers and producers of WesternEuropean a...
Notes, ornaments and intervals are examples of basic musical elements. Their representation as discr...
This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lu...
The creation of 'Instant Music', referring to distant artistic events of the 20th century, was inten...
This paper describes the rationale behind the development of a digital performance system which enab...
The Terpsichora Pressure-Sensitive Floors are a new digital musical instrument which uses whole-body...
Whilst historically informed performance normally makes use of instruments of the era from which the...
A group show, consisting of 1 work, at SE8 Gallery, London, UK. THE HALF-SHUT DOOR 18th February – 1...
2011-07-31Be Quiet: Music Outside of Time reconsiders sound as a particle that exists in a micro-tim...
Musical score of images and texts based on the theory of Flat Time proposed by artist John Latham, d...
This chapter attempts an exegesis of a musical composition from 2010, a six-page score of text and v...
Live processing is altering and affecting the sounds of instruments, live without the aid of fixed m...
Outline This was my first solo performance using spatial music technologies. The system I am using i...
“Arrival Time”, is a multi-channel sound installation. This is a durational composition, in which op...
At the time of writing at least twenty years of extended sound-based performance via the internet is...
Digital recording, editing and signal processing offer performers and producers of WesternEuropean a...
Notes, ornaments and intervals are examples of basic musical elements. Their representation as discr...
This performance at Sounds in Space Symposium (University of Derby) by the audio-visual duo, Time.lu...
The creation of 'Instant Music', referring to distant artistic events of the 20th century, was inten...
This paper describes the rationale behind the development of a digital performance system which enab...
The Terpsichora Pressure-Sensitive Floors are a new digital musical instrument which uses whole-body...
Whilst historically informed performance normally makes use of instruments of the era from which the...
A group show, consisting of 1 work, at SE8 Gallery, London, UK. THE HALF-SHUT DOOR 18th February – 1...
2011-07-31Be Quiet: Music Outside of Time reconsiders sound as a particle that exists in a micro-tim...