‘Watch Out… It’s Real!’ is a group exhibition I curated, that included works by Ibon Aranberri, Henry Flynt, Peter Kennard and Haskell Wexler. The exhibition offered different examples of how fiction (understood as cultural or artistic forms that construct imaginary relationships between people) strives for a political effect in different social and political contexts. In all four cases, the artists' work presented a high level of self-reflection, both in relation to their practice and to its role within that political context. ‘Watch Out… It’s Real!’ also investigated alternative exhibition formats by including music and a feature-length film along with more conventional artworks. The articulation of the different cultural forms with...
Utilising observation, forensic, and analytical strategies, the work of six artists offer cinematic ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
Photographic work from the series Rays a Laugh was exhibited in 'Social Strategies: Redefining Socia...
Group exhibition. Now You See It featured the work of artists whose practices engage with mimesis...
Exploring the radical shift in the boundary between fiction and reality in a world increasingly gove...
‘Episode’ is a research initiative funded by the AHRC, collaborating venues and universities, set up...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
Group exhibition. Theatres of the Real presented photography from eight British-based artists who...
Defending Plural Experiences is the title of my major body of work in 2014, and also the title of my...
This exhibition of seventeen paintings made between 2001-03 was the culmination of an investigation ...
The Political Animal exhibition takes the animal fable and makes an existential examination of the b...
Jacques Rancière writes in the Le spectateur émancipé, ‘the relation between art and poltics is not ...
The text is about three different interventions into art exhibitions. The first approach is about an...
A group exhibition including works by Anonymous, Charles Avery, Marcel Broodthaers, Steven Claydon, ...
Melanchotopia was a site-specific exhibition curtaed by Nicolaus Schafhausen and Anne-Claire Schmitz...
Utilising observation, forensic, and analytical strategies, the work of six artists offer cinematic ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
Photographic work from the series Rays a Laugh was exhibited in 'Social Strategies: Redefining Socia...
Group exhibition. Now You See It featured the work of artists whose practices engage with mimesis...
Exploring the radical shift in the boundary between fiction and reality in a world increasingly gove...
‘Episode’ is a research initiative funded by the AHRC, collaborating venues and universities, set up...
A series of large-scale computer-generated photographic images, stereoscopic works and animations we...
Group exhibition. Theatres of the Real presented photography from eight British-based artists who...
Defending Plural Experiences is the title of my major body of work in 2014, and also the title of my...
This exhibition of seventeen paintings made between 2001-03 was the culmination of an investigation ...
The Political Animal exhibition takes the animal fable and makes an existential examination of the b...
Jacques Rancière writes in the Le spectateur émancipé, ‘the relation between art and poltics is not ...
The text is about three different interventions into art exhibitions. The first approach is about an...
A group exhibition including works by Anonymous, Charles Avery, Marcel Broodthaers, Steven Claydon, ...
Melanchotopia was a site-specific exhibition curtaed by Nicolaus Schafhausen and Anne-Claire Schmitz...
Utilising observation, forensic, and analytical strategies, the work of six artists offer cinematic ...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
Photographic work from the series Rays a Laugh was exhibited in 'Social Strategies: Redefining Socia...