Add to ORKGA discourse on the art of acting composed in 1622 by Antonino Tantillo, a man of letters from Palermo, who conceived it for the Accademia degli Agghiacciati formed by actors who regularly staged plays. The text, transmitted as a manuscript, is transcribed by Benenetta Majorana. On the discourse by Tantillo see Benedetta Majorana, L’orazione accademica di Antonino Tantillo intorno all’arte istrionica. Un caso palermitano del 1622, «Acting Archives Review», 18, novembre 2019
Ortensio Scammacca (1562?-1648) and the Jesuit Theatre. A critical edition of Il Tommaso in Londra ...
Goossens Roger. Raffaele Cantarella. Le « Rane » di Aristofane (Introduzione, traduzione e commente)...
Combining metrical structure with gesture and expressiveness, the nineteenth-century Italian actors ...
The article deals on the oration on the art of acting composed in 1622 by Antonino Tantillo, a man o...
Callu Jean-Pierre. Tantillo (Ignazio), La prima orazione di Giuliano a Costanzo : introduzione, trad...
Published as part of project: Edition and Translation of the Orations of Enea Silvio PiccolominiIn a...
In autumn 1445 Enea Silvio Piccolomini, secretary in the Imperial Chancery of Emperor Friedrich III ...
On 18 October 1436, Enea Silvio Piccolomini delivered the oration Audivi/Magnae saepe res to the Fat...
none1noIn the seventeenth century there was a renewed interest in Italy in orationes fictae, just wh...
Memorie di Adriano, a play staged by Maurizio Scaparro in 1989 in the setting of Hadrian’s Villa, of...
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
L’opera, articolata in tre volumi (I: Vita e opere; II: Documenti e lettere; III: Edizione commentat...
The article offers an in-depth examination of traces of anonymous readers intervening on a Late Ant...
Ortensio Scammacca (1562?-1648) and the Jesuit Theatre. A critical edition of Il Tommaso in Londra ...
Goossens Roger. Raffaele Cantarella. Le « Rane » di Aristofane (Introduzione, traduzione e commente)...
Combining metrical structure with gesture and expressiveness, the nineteenth-century Italian actors ...
The article deals on the oration on the art of acting composed in 1622 by Antonino Tantillo, a man o...
Callu Jean-Pierre. Tantillo (Ignazio), La prima orazione di Giuliano a Costanzo : introduzione, trad...
Published as part of project: Edition and Translation of the Orations of Enea Silvio PiccolominiIn a...
In autumn 1445 Enea Silvio Piccolomini, secretary in the Imperial Chancery of Emperor Friedrich III ...
On 18 October 1436, Enea Silvio Piccolomini delivered the oration Audivi/Magnae saepe res to the Fat...
none1noIn the seventeenth century there was a renewed interest in Italy in orationes fictae, just wh...
Memorie di Adriano, a play staged by Maurizio Scaparro in 1989 in the setting of Hadrian’s Villa, of...
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
http://catalogue.enc-sorbonne.fr/cgi-bin/koha/opac-detail.pl?biblionumber=81856</a
L’opera, articolata in tre volumi (I: Vita e opere; II: Documenti e lettere; III: Edizione commentat...
The article offers an in-depth examination of traces of anonymous readers intervening on a Late Ant...
Ortensio Scammacca (1562?-1648) and the Jesuit Theatre. A critical edition of Il Tommaso in Londra ...
Goossens Roger. Raffaele Cantarella. Le « Rane » di Aristofane (Introduzione, traduzione e commente)...
Combining metrical structure with gesture and expressiveness, the nineteenth-century Italian actors ...