In the late Victorian era a new type of novel appeared. Dark and creepy, filled with supernatural creatures and twisted, sometimes violent plots, it resembled its Gothic predecessor of 200 years earlier. Building on the standard elements of the Gothic novel, this new fiction pierced the heart of the city. As the new genre brought the terror of Gothic fiction from isolated castles into the streets, it found its first home in the fog-shrouded city at the center of the Victorian age. Urban Gothic was rooted firmly in the soil of London
This chapter explores the representation of the grave and burial grounds from the proto-Gothic Grave...
This paper discusses the gothic tensions in H. G. Wells's The War of the Worlds. It positions a stor...
Gothic literature in general and Gothic fiction, in particular, can be defined as a literary pi...
In the late Victorian era a new type of novel appeared. Dark and creepy, filled with supernatural cr...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and f...
Book synopsis: London has taken a central role in urban Gothic, from key canonic texts like Strange ...
In 1888 London was the capital of the most powerful empire the world had ever known, and the largest...
Gothic Britain is the first collection of essays to consider how the Gothic responds to, and is info...
Robert Mighall has argued that the Gothic is a mode fundamentally concerned with history and geograp...
The use of Late Victorian London as a location in novels set in Imperial Great Britain has long been...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
The British Gothic novel reached a level of very high popularity in the literary market of the late ...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
This thesis addresses the central role of the haunted house in mid-to-late Victorian Gothic texts. I...
This chapter explores the representation of the grave and burial grounds from the proto-Gothic Grave...
This paper discusses the gothic tensions in H. G. Wells's The War of the Worlds. It positions a stor...
Gothic literature in general and Gothic fiction, in particular, can be defined as a literary pi...
In the late Victorian era a new type of novel appeared. Dark and creepy, filled with supernatural cr...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
This book examines 'home front' literature of the Second World War, arguing that Gothic tropes and f...
Book synopsis: London has taken a central role in urban Gothic, from key canonic texts like Strange ...
In 1888 London was the capital of the most powerful empire the world had ever known, and the largest...
Gothic Britain is the first collection of essays to consider how the Gothic responds to, and is info...
Robert Mighall has argued that the Gothic is a mode fundamentally concerned with history and geograp...
The use of Late Victorian London as a location in novels set in Imperial Great Britain has long been...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
The British Gothic novel reached a level of very high popularity in the literary market of the late ...
There are good reasons to call London the capital of urban fantasy. Like no other city it embodies a...
This thesis addresses the central role of the haunted house in mid-to-late Victorian Gothic texts. I...
This chapter explores the representation of the grave and burial grounds from the proto-Gothic Grave...
This paper discusses the gothic tensions in H. G. Wells's The War of the Worlds. It positions a stor...
Gothic literature in general and Gothic fiction, in particular, can be defined as a literary pi...