In the late twentieth century, museums moved from a near exclusive focus on researching, collecting and preserving objects to an increased interest in visitors’ experiences and learning. Consequently, today’s museums are re-focused on facilitating engaging connections between visitors and collections. Nonetheless, many current-day museum visitors are dissatisfied with their primarily visual experiences. In order to enhance visitors’ intellectual, emotional and physical connections with objects, this paper argues museums should introduce new ways of visitor interaction with objects through narrative and multi-sensory experiences. By combining discursive and immersive exhibition models, museums can create narratives that emotionally and intel...
This qualitative case study focuses on multisensory resources for walk-in museum visitors with visua...
This paper investigates how family museum visitors crafted learning through interaction with one an...
This paper addresses the historically-instilled division between the art museum and its visitors and...
In the late twentieth century, museums moved from a near exclusive focus on researching, collecting ...
International audienceMuseums' main functions are to preserve pieces of art, transmit and share know...
The benefits of multisensory learning are recognized both in the field of formal education, informal...
Traditionally, museums have been visual - 'Do Not Touch' - spaces. However, interactive and multisen...
The present paper is an enquiry on the contribution of bodily and sensory forms of engagement in the...
The immersive exhibition is a specialized exhibition genre flourishing in the 21st century. It creat...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
This article proposes a sensory studies methodology for the interpretation of museum objects. The pr...
For many, a museum visit may consist of gazing at objects locked away in glass a cabinet accompanied...
Drawing from the work of sensory historians, this paper will explore the importance of the senses in...
This paper explores the beneficial outcomes that visitors seek and obtain from a museum visit, in te...
Though digital interactive technologies have become more common and widespread in museum exhibitions...
This qualitative case study focuses on multisensory resources for walk-in museum visitors with visua...
This paper investigates how family museum visitors crafted learning through interaction with one an...
This paper addresses the historically-instilled division between the art museum and its visitors and...
In the late twentieth century, museums moved from a near exclusive focus on researching, collecting ...
International audienceMuseums' main functions are to preserve pieces of art, transmit and share know...
The benefits of multisensory learning are recognized both in the field of formal education, informal...
Traditionally, museums have been visual - 'Do Not Touch' - spaces. However, interactive and multisen...
The present paper is an enquiry on the contribution of bodily and sensory forms of engagement in the...
The immersive exhibition is a specialized exhibition genre flourishing in the 21st century. It creat...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
This article proposes a sensory studies methodology for the interpretation of museum objects. The pr...
For many, a museum visit may consist of gazing at objects locked away in glass a cabinet accompanied...
Drawing from the work of sensory historians, this paper will explore the importance of the senses in...
This paper explores the beneficial outcomes that visitors seek and obtain from a museum visit, in te...
Though digital interactive technologies have become more common and widespread in museum exhibitions...
This qualitative case study focuses on multisensory resources for walk-in museum visitors with visua...
This paper investigates how family museum visitors crafted learning through interaction with one an...
This paper addresses the historically-instilled division between the art museum and its visitors and...