Add to ORKGPart 1 of this post explores a brief history of radio deregulation, its impact on the national radio market, and the opportunity local non-commercial radio represents to indie musicians
Since its inception and rise to popularity among major forms of mass media communication, radio has ...
Throughout most of the twentieth century, major record labels were the gatekeepers to mainstream mus...
The distribution and dissemination of music has evolved considerably in recent years. Traditional ch...
Part 1 of this post explores a brief history of radio deregulation, its impact on the national radio...
Part 2 in our series on non-commercial radio looks at KDVS in California and the model it employs as...
This article appears in a Special Issue of Popular Music and Society, edited by Bethany Klein: Popul...
UnrestrictedThe Internet, satellite radio, and cell phones are disruptive technologies relative to r...
Radio airplay is still a popular direct-to-consumer (DTC) channel for music products. In this paper,...
In an era of boundless technological advancement, the music industry faces its most turbulent econom...
A letter report issued by the Government Accountability Office with an abstract that begins "The rec...
This thesis presents an analysis of how the Canadian commercial radio sector operates under the conc...
UnrestrictedHistorically, indie rock artists and record labels have had few tools for generating pub...
Radio has been a part of the American advertising landscape since the 1920s. Many threats to the ind...
This report is an historical, structural, statistical and public survey analysis of the effects of t...
Re-conceptualizing American commercial music radio as a pivotal site of culture production significa...
Since its inception and rise to popularity among major forms of mass media communication, radio has ...
Throughout most of the twentieth century, major record labels were the gatekeepers to mainstream mus...
The distribution and dissemination of music has evolved considerably in recent years. Traditional ch...
Part 1 of this post explores a brief history of radio deregulation, its impact on the national radio...
Part 2 in our series on non-commercial radio looks at KDVS in California and the model it employs as...
This article appears in a Special Issue of Popular Music and Society, edited by Bethany Klein: Popul...
UnrestrictedThe Internet, satellite radio, and cell phones are disruptive technologies relative to r...
Radio airplay is still a popular direct-to-consumer (DTC) channel for music products. In this paper,...
In an era of boundless technological advancement, the music industry faces its most turbulent econom...
A letter report issued by the Government Accountability Office with an abstract that begins "The rec...
This thesis presents an analysis of how the Canadian commercial radio sector operates under the conc...
UnrestrictedHistorically, indie rock artists and record labels have had few tools for generating pub...
Radio has been a part of the American advertising landscape since the 1920s. Many threats to the ind...
This report is an historical, structural, statistical and public survey analysis of the effects of t...
Re-conceptualizing American commercial music radio as a pivotal site of culture production significa...
Since its inception and rise to popularity among major forms of mass media communication, radio has ...
Throughout most of the twentieth century, major record labels were the gatekeepers to mainstream mus...
The distribution and dissemination of music has evolved considerably in recent years. Traditional ch...