Stanislavsky’s system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky’s theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringin...
Stanislavsky's ‘life of the human spirit’ is at the heart of his understanding of how the actor coul...
Stanislavski’s influence on theatre practitioners across the world throughout both the 20th and the ...
This paper outlines the results of a study of Stanislavski’s fictional training texts, and addresses...
Konstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of mode...
The purpose of this article is an attempt to outline the range of literary and practical sources tha...
CONSTANTIN STANISLAVSKI, the renowned actor and co-director of the Moscow Art Theatre, died in 1938 ...
Explores the life, times, and ideas of the theatrical innovator, Constantine Stanislavsky, who creat...
Michael Chekhov is considered to be one of the most talented and widely recognised students of Konst...
In 1902, Valery Briusov, a Russian poet and advocate for the symbolist philosophy and aesthetic, pub...
t was at the Moscow Art Theatre from the 1890's onwards that Stanislavsky developed an innovative ac...
It is easy to misunderstand Konstantin Stanislavsky. He is reviled by the left, champions of Brecht,...
It was at the Moscow Art Theatre from the 1890’s onwards that Stanislavsky developed an innovative a...
Straipsnyje nagrinėjama, kiek Stanislavskio sistema kaip aktorių rengimo ir kūrybos metodas gali būt...
The dissertation considers the extent to which Stanislavski's 'System' is still useful to performers...
The purpose of the research is to identify the areas of concern of the Stanislavsky system, upon whi...
Stanislavsky's ‘life of the human spirit’ is at the heart of his understanding of how the actor coul...
Stanislavski’s influence on theatre practitioners across the world throughout both the 20th and the ...
This paper outlines the results of a study of Stanislavski’s fictional training texts, and addresses...
Konstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of mode...
The purpose of this article is an attempt to outline the range of literary and practical sources tha...
CONSTANTIN STANISLAVSKI, the renowned actor and co-director of the Moscow Art Theatre, died in 1938 ...
Explores the life, times, and ideas of the theatrical innovator, Constantine Stanislavsky, who creat...
Michael Chekhov is considered to be one of the most talented and widely recognised students of Konst...
In 1902, Valery Briusov, a Russian poet and advocate for the symbolist philosophy and aesthetic, pub...
t was at the Moscow Art Theatre from the 1890's onwards that Stanislavsky developed an innovative ac...
It is easy to misunderstand Konstantin Stanislavsky. He is reviled by the left, champions of Brecht,...
It was at the Moscow Art Theatre from the 1890’s onwards that Stanislavsky developed an innovative a...
Straipsnyje nagrinėjama, kiek Stanislavskio sistema kaip aktorių rengimo ir kūrybos metodas gali būt...
The dissertation considers the extent to which Stanislavski's 'System' is still useful to performers...
The purpose of the research is to identify the areas of concern of the Stanislavsky system, upon whi...
Stanislavsky's ‘life of the human spirit’ is at the heart of his understanding of how the actor coul...
Stanislavski’s influence on theatre practitioners across the world throughout both the 20th and the ...
This paper outlines the results of a study of Stanislavski’s fictional training texts, and addresses...