This article discusses changing obligations toward objects from an archaeological site held by the Queensland Museum, through a long-term, 40-year case study. Between 1971 and 1972 a selection of 92 stone blocks weighing up to 5 tons containing Aboriginal engravings were cut out of the site and distributed to multiple locations across Queensland by the State Government under the provisions of the then Aboriginal Relics Preservation Act 1967. The site was subsequently flooded following dam construction and the removed blocks became part of the Queensland Museum's collection. This article chronicles the history of the site and its "salvage," the consequences of fragmentation of the site for community and institutions, the creation of 92 museu...
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyp...
The destruction of rock art in the Burrup Peninsula, performed by several mammoth industries strateg...
This paper arises from a project undertaken for the Department of Environment and Heritage (now the ...
This article discusses changing obligations toward objects from an archaeological site held by the Q...
The Dampier Rock Art Precinct contains the largest and most ancient collection of Aboriginal rock ar...
Protection of what is arguably one of our nation's greatest assets - the imagery, stories and places...
Exploring the importance of the protection and preservation of Australian Aboriginalcultural heritag...
This paper reviews a changing scenario of cultural heritage management in the Quinkan region, Cape Y...
In this article, I discuss how returns of Ancestral Remains of Indigenous Australian communities fro...
© 2013 Dr. José Antonio González ZarandonaConsidered by some archaeologists to be the largest rock a...
In this article, I discuss how returns of Ancestral Remains of Indigenous Australian communities fro...
There is insufficient legal protection for tangible but non-charismatic Aboriginal artefacts in New ...
This article critically considers the legal regulation of Indigenous people's cultural heritage in W...
For the Bulwandji Traditional Owners of Cape York Peninsula, Bunda Bibanji (also known as "Bare Hill...
All articles in this issue concern the wide-ranging and multidisciplinary Gooreng Gooreng Cultural H...
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyp...
The destruction of rock art in the Burrup Peninsula, performed by several mammoth industries strateg...
This paper arises from a project undertaken for the Department of Environment and Heritage (now the ...
This article discusses changing obligations toward objects from an archaeological site held by the Q...
The Dampier Rock Art Precinct contains the largest and most ancient collection of Aboriginal rock ar...
Protection of what is arguably one of our nation's greatest assets - the imagery, stories and places...
Exploring the importance of the protection and preservation of Australian Aboriginalcultural heritag...
This paper reviews a changing scenario of cultural heritage management in the Quinkan region, Cape Y...
In this article, I discuss how returns of Ancestral Remains of Indigenous Australian communities fro...
© 2013 Dr. José Antonio González ZarandonaConsidered by some archaeologists to be the largest rock a...
In this article, I discuss how returns of Ancestral Remains of Indigenous Australian communities fro...
There is insufficient legal protection for tangible but non-charismatic Aboriginal artefacts in New ...
This article critically considers the legal regulation of Indigenous people's cultural heritage in W...
For the Bulwandji Traditional Owners of Cape York Peninsula, Bunda Bibanji (also known as "Bare Hill...
All articles in this issue concern the wide-ranging and multidisciplinary Gooreng Gooreng Cultural H...
Australia has one of the largest inventories of rock art in the world with pictographs and petroglyp...
The destruction of rock art in the Burrup Peninsula, performed by several mammoth industries strateg...
This paper arises from a project undertaken for the Department of Environment and Heritage (now the ...