The works of art in the exhibition Exodus: Coral Bleaching and Heat Stress call attention to habitat degradation due to climate change. Cyclones and bleaching events have resulted in the loss of fifty percent of the coral cover in the Great Barrier Reef over the past three decades. The capacity for art to secure belief through reflective understanding is argued in relation to the moral predicament of anthropogenic climate change. The sublime is recast in the form of the eco-sublime, allowing for new ways of feeling and imaging our place in a world where our innocence in relation to climate change has been lost
With the help of our databases we illustrate in this piece of work the possible contrafactures, comm...
What would Machiavelli say about the Balkans today?, wonders Florian Bieber. In this letter for a mo...
First paragraph: So finally The Sun has dropped the Page 3 topless model. In the absence of any anno...
This article traces the repression of signifying elements like color in the art of the late medieval...
THE Third Festival of Thinkers was held in Abu Dhabi recently with more that 200 experts congregatin...
So, we have got a "new world order" now, thanks to the 20 "wise" men and women who deemed that it wa...
First paragraph: The Gran Fondo New York bicycle race is the biggest mass-participation event of its...
The UK's Shadow Secretary of State for Education Andy Burnham recently made a suggestion that could ...
Mixed crop‐livestock systems produce most of the world’s milk and ruminant meat, and are particular...
Following Harris & Bates\u27s (2002) observation that cataphora is allowed in subordinate backgr...
In Why Are We Waiting?: The Logic, Urgency and Promise of Tackling Climate Change, Nicholas Stern ex...
A decrease in the 13C/12C ratio of atmospheric CO2 has been documented by direct observations since ...
This is the second edition of e-O&P on Conscious Business (CB). In the first edition of this two-pa...
The literary genre of picaresque originated in Sixteenth Century Spain, but has become a prominent s...
Sarah Slappey investigates ideas of cruelty and beauty through the lense of narrative, aesthetics, a...
With the help of our databases we illustrate in this piece of work the possible contrafactures, comm...
What would Machiavelli say about the Balkans today?, wonders Florian Bieber. In this letter for a mo...
First paragraph: So finally The Sun has dropped the Page 3 topless model. In the absence of any anno...
This article traces the repression of signifying elements like color in the art of the late medieval...
THE Third Festival of Thinkers was held in Abu Dhabi recently with more that 200 experts congregatin...
So, we have got a "new world order" now, thanks to the 20 "wise" men and women who deemed that it wa...
First paragraph: The Gran Fondo New York bicycle race is the biggest mass-participation event of its...
The UK's Shadow Secretary of State for Education Andy Burnham recently made a suggestion that could ...
Mixed crop‐livestock systems produce most of the world’s milk and ruminant meat, and are particular...
Following Harris & Bates\u27s (2002) observation that cataphora is allowed in subordinate backgr...
In Why Are We Waiting?: The Logic, Urgency and Promise of Tackling Climate Change, Nicholas Stern ex...
A decrease in the 13C/12C ratio of atmospheric CO2 has been documented by direct observations since ...
This is the second edition of e-O&P on Conscious Business (CB). In the first edition of this two-pa...
The literary genre of picaresque originated in Sixteenth Century Spain, but has become a prominent s...
Sarah Slappey investigates ideas of cruelty and beauty through the lense of narrative, aesthetics, a...
With the help of our databases we illustrate in this piece of work the possible contrafactures, comm...
What would Machiavelli say about the Balkans today?, wonders Florian Bieber. In this letter for a mo...
First paragraph: So finally The Sun has dropped the Page 3 topless model. In the absence of any anno...