Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to follow the artists interest in the theme of British Pastoral romanticism. The exhibition pays homage to the group of printmakers that aligned themselves round William Blake and Samuel Palmer and the great tradition of pastoral printmakers (such at Paul Drury, Robin Tanner and Graeme Sutherland) who followed in the early part of the 20th Century. The etchings in the exhibition pay homage to the British pastoral romantic tradition but acknowledge the different and distinct nature of the Australian landscape
[Extract] Ron McBurnie has created some quite unforgettable landscapes for his latest exhibition at ...
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Title from inscription below image.; Inscription: "Lionel Lindsay. Romantic Garden 1922"--In pencil ...
Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to...
Ron McBurnie’s “Chasing Palmer” is an exhibition of etchings influenced by the great Romantic printm...
This exhibition consists of highlights of British prints from the collection of Australian artist pr...
[Extract] 'Metal As Anything' is a survey exhibition showcasing thirty years of diverse and intricat...
Chapter for book accompanying National Galleries of Scotland exhibition about the work of Rembrandt ...
'Wave Forms' are a group of paintings derived from photographs of the sea. These images are taken fr...
Face 2 Face is a group exhibition which has been curated by Robin Gibson from the Robin Gibson Galle...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
Out of the Shadows: The Mezzotints of Graeme Peebles investigates Victorian printmaker Graeme Peeble...
Bernard Leach was one of the first, great, donors to the emerging Crafts Study Centre. He donated a ...
Commissioned by and staged at the Royal Academy of Arts, London, the exhibition Second Nature: The P...
Exhibition held Aberdeen Art Gallery 5th Aug - 26th Sep 1991SIGLEAvailable from British Library Docu...
[Extract] Ron McBurnie has created some quite unforgettable landscapes for his latest exhibition at ...
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Title from inscription below image.; Inscription: "Lionel Lindsay. Romantic Garden 1922"--In pencil ...
Ron McBurnie’s, “Romantic etchings: in the tradition of Samuel Palmer and the Ancients” continues to...
Ron McBurnie’s “Chasing Palmer” is an exhibition of etchings influenced by the great Romantic printm...
This exhibition consists of highlights of British prints from the collection of Australian artist pr...
[Extract] 'Metal As Anything' is a survey exhibition showcasing thirty years of diverse and intricat...
Chapter for book accompanying National Galleries of Scotland exhibition about the work of Rembrandt ...
'Wave Forms' are a group of paintings derived from photographs of the sea. These images are taken fr...
Face 2 Face is a group exhibition which has been curated by Robin Gibson from the Robin Gibson Galle...
This unique exhibition presents a selection of folios from Bradford's print collection featuring: li...
Out of the Shadows: The Mezzotints of Graeme Peebles investigates Victorian printmaker Graeme Peeble...
Bernard Leach was one of the first, great, donors to the emerging Crafts Study Centre. He donated a ...
Commissioned by and staged at the Royal Academy of Arts, London, the exhibition Second Nature: The P...
Exhibition held Aberdeen Art Gallery 5th Aug - 26th Sep 1991SIGLEAvailable from British Library Docu...
[Extract] Ron McBurnie has created some quite unforgettable landscapes for his latest exhibition at ...
This work explores the creative processes of the American-born artist, James McNeill Whistler (1834-...
Title from inscription below image.; Inscription: "Lionel Lindsay. Romantic Garden 1922"--In pencil ...