This article outlines the development and trial of peer assessment procedures for implementation within a music performance context in the Australian tertiary environment. An overview of the literature on peer assessment is presented, followed by reference to specific trials of peer assessment within a tertiary music student context. The paper then presents the rationale for and methodology applied in developing two forms of peer assessment of music performance, for trial across one academic year. Student evaluation data obtained via mid- and end-of-year questionnaires are analysed and discussed, as are implications for further research
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...
Self-evaluation accuracy is a necessary component of music learning. Without it, students rely on te...
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...
This article outlines the development and trial of peer assessment procedures for implementation wit...
This article outlines the development and trial of peer assessment procedures for implementation wit...
This paper discusses the development of a peer-learning and assessment method involving undergradua...
One of the key issues affecting the success of learning and teaching in higher education is the mann...
One of the key issues affecting the success of learning and teaching in higher education is the mann...
This paper discusses a project in which third-year undergraduate Performance majors were asked to as...
This paper examines the issue of self-assessment of music performance and the role of the learner in...
In 2008, peer assessment was introduced into the singing component of a tertiary level undergraduate...
This paper offers a window on an ongoing project in evaluation and assessment in higher education, a...
This paper offers a window on an ongoing project in evaluation and assessment in higher education, a...
Feedback is crucial to students’ growth as musicians. Fortunately, the teacher is not the sole sourc...
Feedback is crucial to students’ growth as musicians. Fortunately, the teacher is not the sole sourc...
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...
Self-evaluation accuracy is a necessary component of music learning. Without it, students rely on te...
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...
This article outlines the development and trial of peer assessment procedures for implementation wit...
This article outlines the development and trial of peer assessment procedures for implementation wit...
This paper discusses the development of a peer-learning and assessment method involving undergradua...
One of the key issues affecting the success of learning and teaching in higher education is the mann...
One of the key issues affecting the success of learning and teaching in higher education is the mann...
This paper discusses a project in which third-year undergraduate Performance majors were asked to as...
This paper examines the issue of self-assessment of music performance and the role of the learner in...
In 2008, peer assessment was introduced into the singing component of a tertiary level undergraduate...
This paper offers a window on an ongoing project in evaluation and assessment in higher education, a...
This paper offers a window on an ongoing project in evaluation and assessment in higher education, a...
Feedback is crucial to students’ growth as musicians. Fortunately, the teacher is not the sole sourc...
Feedback is crucial to students’ growth as musicians. Fortunately, the teacher is not the sole sourc...
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...
Self-evaluation accuracy is a necessary component of music learning. Without it, students rely on te...
The lecturer’s role in this module is one of facilitator and the module is designed to promote self-...