In 1903 novelist and journalist Jack London published an account of his undercover investigation into poverty in the East End of London. He described the clothes he wore, which included ‘a frayed jacket with one remaining button’. London’s jacket was rendered derelict by the effects of time and wear, but it is important to remember too the assiduous habits of maintenance (washing, brushing, patching, darning) that were used to counter dereliction and to keep clothing in good repair. This chapter explores clothing and textile examples to suggest methodologies for writing the history of the ‘afterlife’ of objects, not as new and pristine things, but in their everyday relationships with the people who used and maintained them
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
All images have been removed, for copyright reasonsIn recent years, urban historians have establishe...
Book synopsis: If fashion is an expression of individuality, why do we all dress alike? Can modernit...
In 1903 novelist and journalist Jack London published an account of his undercover investigation int...
Historical clothes are more than just examples of how past societies dressed—they are imbued with sm...
Largely ignored by scholars of fashion and clothing, an investigation of the history of garment repa...
Getting close to clothes provides new perspectives on the geographies of fashion cities and the proc...
A collection of dress worn by six generations of women from one creative British family was identifi...
This monograph aimed to reposition London’s status as a fashion city, moving away from celebratory a...
The analysis of historic garments can reveal hidden information of past construction and reconstruct...
The chapter explores memories of working-class female dress in Lancashire, England, during the Secon...
Through my postgraduate, fashion practice-based research project, The Living Wardrobe, I have become...
Getting close to clothes provides new perspectives on the geographies of fashion cities and the proc...
The text analyses the creative expression of London’s couturiers; the industry and their client base...
This chapter presents a brief history, politics and geography of consumption, told through garments....
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
All images have been removed, for copyright reasonsIn recent years, urban historians have establishe...
Book synopsis: If fashion is an expression of individuality, why do we all dress alike? Can modernit...
In 1903 novelist and journalist Jack London published an account of his undercover investigation int...
Historical clothes are more than just examples of how past societies dressed—they are imbued with sm...
Largely ignored by scholars of fashion and clothing, an investigation of the history of garment repa...
Getting close to clothes provides new perspectives on the geographies of fashion cities and the proc...
A collection of dress worn by six generations of women from one creative British family was identifi...
This monograph aimed to reposition London’s status as a fashion city, moving away from celebratory a...
The analysis of historic garments can reveal hidden information of past construction and reconstruct...
The chapter explores memories of working-class female dress in Lancashire, England, during the Secon...
Through my postgraduate, fashion practice-based research project, The Living Wardrobe, I have become...
Getting close to clothes provides new perspectives on the geographies of fashion cities and the proc...
The text analyses the creative expression of London’s couturiers; the industry and their client base...
This chapter presents a brief history, politics and geography of consumption, told through garments....
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
All images have been removed, for copyright reasonsIn recent years, urban historians have establishe...
Book synopsis: If fashion is an expression of individuality, why do we all dress alike? Can modernit...