This essay tracks a single work of art through the archival traces of three biennials, and offers some speculative analysis. The artwork at issue is Juraci Dórea’s Projeto Terra, from 1981, and the exhibitions took place in three successive years: the Bienal de São Paulo in 1987, the Venice Biennale in 1988 and the Bienal de La Habana in 1989
What sets the curatorial practice in a biennial exhibition model today? A question, among many other...
Education in the São Paulo Art Biennial took place because the visiting public and art critics found...
Tese de mestrado, Museologia e museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013Th...
International audienceReviewing recent publications on large-scale manifestations (including Carolin...
What institutional forms sustain aesthetic colonization today? How do they contribute to Western cul...
In 1978 the first and only Bienal Latino-Americana de São Paulo brought tensions between the nationa...
The exhibitionary complex in the 21st century is continually transforming due to the global shifts ...
"The second book in Afterall’s Exhibition Histories series focuses on the third edition of the Biena...
This dissertation, The Politics of Display: Identity and State at the San Juan Print Biennial, 1970-...
Since 1984 the Havana Biennale has been known as "the Tri-continental art event," presenting artists...
Biennials are each in their own way a complex constellation of different economical and geopolitical...
Biennials – periodic, independent and international exhibitions surveying trends in visual art – hav...
Dubrovnik Biennial doesn’t seek to reproduce a typical Biennial form which relies on the patronage o...
There has been a proliferation of contemporary art biennials in the past 20 years, especially in cit...
Biennales are no longer merely a question of the artworld, but a question of urbanism. Over the cour...
What sets the curatorial practice in a biennial exhibition model today? A question, among many other...
Education in the São Paulo Art Biennial took place because the visiting public and art critics found...
Tese de mestrado, Museologia e museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013Th...
International audienceReviewing recent publications on large-scale manifestations (including Carolin...
What institutional forms sustain aesthetic colonization today? How do they contribute to Western cul...
In 1978 the first and only Bienal Latino-Americana de São Paulo brought tensions between the nationa...
The exhibitionary complex in the 21st century is continually transforming due to the global shifts ...
"The second book in Afterall’s Exhibition Histories series focuses on the third edition of the Biena...
This dissertation, The Politics of Display: Identity and State at the San Juan Print Biennial, 1970-...
Since 1984 the Havana Biennale has been known as "the Tri-continental art event," presenting artists...
Biennials are each in their own way a complex constellation of different economical and geopolitical...
Biennials – periodic, independent and international exhibitions surveying trends in visual art – hav...
Dubrovnik Biennial doesn’t seek to reproduce a typical Biennial form which relies on the patronage o...
There has been a proliferation of contemporary art biennials in the past 20 years, especially in cit...
Biennales are no longer merely a question of the artworld, but a question of urbanism. Over the cour...
What sets the curatorial practice in a biennial exhibition model today? A question, among many other...
Education in the São Paulo Art Biennial took place because the visiting public and art critics found...
Tese de mestrado, Museologia e museografia, Universidade de Lisboa, Faculdade de Belas Artes, 2013Th...