This investigation addresses formal and conceptual problems in poetry, identified through critical investigations of my own and my poetic peers’ work, and through theoretical and philosophical texts (Butler, 2000; Hegel, 1807; Owens, 1980; Rose, 1996; Kappeler, 1986). The notion of a ‘political’ poetry, as loosely posited by contemporary critics (Archambeau, 2009) is discussed, using Ancient Greek readings of polis (Arendt, 1958; Yunis, 1996). Subsequent related topics for discussion include critical irony, subjectivity, feminist theory, and fantasy. Source material for their identification includes my own poetry (Morris, 2006; 2007), the poetry pamphlet IRA Quid (Brady et al., 2004), and criticism on the work of J.H. Prynne (Sutherland, 20...
This chapter presents an overview of current critical enterprises regarding the conceptualisation of...
Amidst attempts to repoliticize American literary study, some recent scholars have set aside or push...
In this article I draw together and reflect upon my own experiences of writing poetry as a part of a...
This investigation addresses formal and conceptual problems in poetry, identified through critical i...
This thesis examines the role of poetry in political expression centered around revolutions in the B...
This thesis examines the importance attributed to voice in contemporary British poetics. It consider...
The object of this study is to analyse the history of controversy in post-war British poetry. It arg...
Radical Spaces of Poetry introduces a diverse range of experimental writing from the twentieth and t...
What are we really wishing for when we want poetry to have the prominence it had in the past? Why do...
This doctoral thesis is a work of poetics, which speculatively casts into the future of possible wri...
The following areas of poetics and politics are engaged with in the writing practices that constitut...
Using a series of interviews, critical theory and practice-based interventions this PhD interrogates...
The Concrete poetry movement was an international movement of visual and sound poetry during the nin...
The term ‘poetic licence’ is developed as a ‘searchlight concept’, for the purpose of exploring the ...
One of the stubborn issues in modern poetry is the question of its proper, or most effective, politi...
This chapter presents an overview of current critical enterprises regarding the conceptualisation of...
Amidst attempts to repoliticize American literary study, some recent scholars have set aside or push...
In this article I draw together and reflect upon my own experiences of writing poetry as a part of a...
This investigation addresses formal and conceptual problems in poetry, identified through critical i...
This thesis examines the role of poetry in political expression centered around revolutions in the B...
This thesis examines the importance attributed to voice in contemporary British poetics. It consider...
The object of this study is to analyse the history of controversy in post-war British poetry. It arg...
Radical Spaces of Poetry introduces a diverse range of experimental writing from the twentieth and t...
What are we really wishing for when we want poetry to have the prominence it had in the past? Why do...
This doctoral thesis is a work of poetics, which speculatively casts into the future of possible wri...
The following areas of poetics and politics are engaged with in the writing practices that constitut...
Using a series of interviews, critical theory and practice-based interventions this PhD interrogates...
The Concrete poetry movement was an international movement of visual and sound poetry during the nin...
The term ‘poetic licence’ is developed as a ‘searchlight concept’, for the purpose of exploring the ...
One of the stubborn issues in modern poetry is the question of its proper, or most effective, politi...
This chapter presents an overview of current critical enterprises regarding the conceptualisation of...
Amidst attempts to repoliticize American literary study, some recent scholars have set aside or push...
In this article I draw together and reflect upon my own experiences of writing poetry as a part of a...