This essay sets the exhibition ‘Magiciens de la Terre’ in the wider context of the history of exhibition practice, in the fields of both contemporary art and ethnographic museum practice. It focuses on Lafuente’s research on the history of exhibitions and the inclusion of non-Western art within contemporary exhibitions
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This essay aims at contributing to our understanding of the nature of exhibitions, namely how and wh...
"In recent years there has been increasing scholarly interest in the history of museums, academies, ...
This thesis explores exhibition practice in relation to Art Brut and Outsider Art through a qualitat...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
Contemporary architecture exhibitions constitute an adventurous domain involving architects, artists...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
The aim of this essay is to study how older art can be used to illustrate our contemporary society...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
This publication is an extension of “Promote/Exhibit/Document” (1997), an exhibition curated by Wawz...
An edited anthology in the 'Documents of Contemporary Art' series, drawing together texts from the l...
This thesis examines questions of place-making and identity formation in Contemporary Art and their ...
Taking exhibition as a transparent construct maintains a theoretical pact through which the exhibiti...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...
This essay aims at contributing to our understanding of the nature of exhibitions, namely how and wh...
"In recent years there has been increasing scholarly interest in the history of museums, academies, ...
This thesis explores exhibition practice in relation to Art Brut and Outsider Art through a qualitat...
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art i...
Contemporary architecture exhibitions constitute an adventurous domain involving architects, artists...
Why are histories of exhibitions, rather than histories of art, of particular importance for new med...
The aim of this essay is to study how older art can be used to illustrate our contemporary society...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
This publication is an extension of “Promote/Exhibit/Document” (1997), an exhibition curated by Wawz...
An edited anthology in the 'Documents of Contemporary Art' series, drawing together texts from the l...
This thesis examines questions of place-making and identity formation in Contemporary Art and their ...
Taking exhibition as a transparent construct maintains a theoretical pact through which the exhibiti...
Do exhibitions fall into amnesia because they are not collected by museums? Is it true that exhibiti...
In the case of ethnographic objects, meaning and context are linked to each other. Meaning is convey...
The museum exhibition, a medium in a state of change. The aim of the article is to present an overvi...