Add to ORKGThis book is part of Afterall's Exhibition Histories series. It offers extensive visual representation and critical reappraisal of the famous and infamous 'Magiciens de la Terre', which took place in Paris in 1989. Co-editor of this publication, Lucy Steeds contributes the lead essay, arguing that the show, which was promoted as 'the first worldwide exhibition of contemporary art', may be seen as an inadvertent model for transnational and project-based curating in the ensuing era of neoliberal globalisation
La fin de la Guerre froide marque le début de l'accélération du processus de mondialisation de l'art...
This volume explores new ways of considering, experiencing and making films in a time of technologic...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...
"In 1989, an exhibition in Paris united the work of over a hundred artists and, since only half woul...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
Curator Jean-Hubert Martin’s 1989 exhibition "Magiciens de la terre" is considered the first exhibit...
Co-edited by Lucy Steeds, the final part in a trilogy of anthologies on curating in relation to cont...
This dissertation Postcolonial Palimpsests: Historicizing Biennales and Large-Scale Exhibitions in a...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
This solo exhibition reinvented traditional analogue photographic techniques to create a visual essa...
In this essay I argue that the global imaginaries surrounding the emergence of cinema provide a mean...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
Global Art: From Les Magicies de la Terre (Paris, 1989) to the São Paulo Biennial (1998) In her pres...
The afternoon session at the ICI Berlin addresses the lived entanglements of the global that are not...
Thematic exhibitions, implying a heightened degree of historical awareness on the part of audiences,...
La fin de la Guerre froide marque le début de l'accélération du processus de mondialisation de l'art...
This volume explores new ways of considering, experiencing and making films in a time of technologic...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...
"In 1989, an exhibition in Paris united the work of over a hundred artists and, since only half woul...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
Curator Jean-Hubert Martin’s 1989 exhibition "Magiciens de la terre" is considered the first exhibit...
Co-edited by Lucy Steeds, the final part in a trilogy of anthologies on curating in relation to cont...
This dissertation Postcolonial Palimpsests: Historicizing Biennales and Large-Scale Exhibitions in a...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
This solo exhibition reinvented traditional analogue photographic techniques to create a visual essa...
In this essay I argue that the global imaginaries surrounding the emergence of cinema provide a mean...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
Global Art: From Les Magicies de la Terre (Paris, 1989) to the São Paulo Biennial (1998) In her pres...
The afternoon session at the ICI Berlin addresses the lived entanglements of the global that are not...
Thematic exhibitions, implying a heightened degree of historical awareness on the part of audiences,...
La fin de la Guerre froide marque le début de l'accélération du processus de mondialisation de l'art...
This volume explores new ways of considering, experiencing and making films in a time of technologic...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...