This paper investigates some of the ways in which composers and sound artists have used recordings of speech, especially in works mediated by technology. It will consider this within a wider context of spoken word, text composition and performance-based genres such as sound poetry. It will attempt to categorise some of the compositional techniques that may be used to work with speech, make specific reference to archive and oral history material and attempt to draw some conclusions
In this paper I explore the unique contribution oral testimonies have made to contemporary historiog...
The chapter describes a methodology which I use for writing for performance using recording technolo...
My research at the London College of Communication is concerned with archives of recorded speech, wh...
Peer reviewed conference paper This paper will investigate the work of a selection of contemporar...
This paper will consider spoken word composition as a distinct area of artistic practice and researc...
The file attached to this record is the author's final peer reviewed version.Reflection on the autho...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Throughout Western music from the 1960s until today—in genres and epochs ranging from concert music,...
© 2020 Jordan James GilmourThis research paper will examine the creative approaches of sound-making ...
This paper examines the use of oral history sound recording as a core element in electroacoustic mus...
Experimental artistic practices have used both live and recorded voices as vehicles for activating m...
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six...
This dissertation theorizes the aesthetic and ethical potential of digital voice as a material for c...
This text is a complement to the musical composition The Spell of Speech, a piece for actress, elect...
In this paper I explore the unique contribution oral testimonies have made to contemporary historiog...
The chapter describes a methodology which I use for writing for performance using recording technolo...
My research at the London College of Communication is concerned with archives of recorded speech, wh...
Peer reviewed conference paper This paper will investigate the work of a selection of contemporar...
This paper will consider spoken word composition as a distinct area of artistic practice and researc...
The file attached to this record is the author's final peer reviewed version.Reflection on the autho...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Speech Labs is the first history of the poetry audio archive. Its aim is to define how the poetic au...
Throughout Western music from the 1960s until today—in genres and epochs ranging from concert music,...
© 2020 Jordan James GilmourThis research paper will examine the creative approaches of sound-making ...
This paper examines the use of oral history sound recording as a core element in electroacoustic mus...
Experimental artistic practices have used both live and recorded voices as vehicles for activating m...
One imagines composed music as originating in the mind of an author. Indeed, I have for the last six...
This dissertation theorizes the aesthetic and ethical potential of digital voice as a material for c...
This text is a complement to the musical composition The Spell of Speech, a piece for actress, elect...
In this paper I explore the unique contribution oral testimonies have made to contemporary historiog...
The chapter describes a methodology which I use for writing for performance using recording technolo...
My research at the London College of Communication is concerned with archives of recorded speech, wh...