Threave has a visitor centre, attached to a large estate and farm, which is used to train gardeners. My brief was to photograph in winter and spring, to create an exhibition showing the estate and farm in a new way. Graven Images redesigned the interior of the centre, where my exhibition of twenty framed prints hung, and they also digitally enlarged three photographs onto metal panels. In spring I took many colour images of the landscape and flowers which they put onto panels. the weather was difficult, and the foot and mouth crisis restricted me, but I got many strong photographs. The project was to put photographic art into a place which would usually show obvious, pi...
Artist's notes: Simple double-fronted cottage. Photograph taken by Swinburne student, John Jewell, a...
Dioramas were once a commonly used tool for communicating the natural world to museum visitors, but ...
Artist's note: Two storey mansion (now apartment house) belonging to Thomas Guest, of Guest's Biscui...
I was selected for this commission as I have exhibited often in Scotland, and have work in th...
The images presented are my ongoing visual research into comparative observations of the natural lan...
I have been taking photographs of makers, designers and artists for nearly 20 years. In 2002 I wa...
Martin Barnes Senior Curator of Photographs The Victoria & Albert Museum, London gives his view on ...
Artist Matthew Murray has created a photographic odyssey, an epic series of landscape works made ove...
Photographic work from Billingham's series 'Landscapes 2001 - 2003) was exhibited in 'A Picture of B...
Artist's description: Ornate terrace pair. Brick posts and fence probably not original. Photograph t...
Artist's note: Timber house and fence (pickets and post) Photograph taken by Swinburne student, Terr...
- How and when did the Saddleworth, Responding to a Landscape project come about? I was invited t...
In our professional practice as landscape architects, we produce images. and seek inspiration before...
Artist's note: Typical farm cottage of 1860's - but obviously younger from verandah decoration. Now ...
Artist's note: Large house, renovated in 1930's. The cast iron fence is just positioned temporarily ...
Artist's notes: Simple double-fronted cottage. Photograph taken by Swinburne student, John Jewell, a...
Dioramas were once a commonly used tool for communicating the natural world to museum visitors, but ...
Artist's note: Two storey mansion (now apartment house) belonging to Thomas Guest, of Guest's Biscui...
I was selected for this commission as I have exhibited often in Scotland, and have work in th...
The images presented are my ongoing visual research into comparative observations of the natural lan...
I have been taking photographs of makers, designers and artists for nearly 20 years. In 2002 I wa...
Martin Barnes Senior Curator of Photographs The Victoria & Albert Museum, London gives his view on ...
Artist Matthew Murray has created a photographic odyssey, an epic series of landscape works made ove...
Photographic work from Billingham's series 'Landscapes 2001 - 2003) was exhibited in 'A Picture of B...
Artist's description: Ornate terrace pair. Brick posts and fence probably not original. Photograph t...
Artist's note: Timber house and fence (pickets and post) Photograph taken by Swinburne student, Terr...
- How and when did the Saddleworth, Responding to a Landscape project come about? I was invited t...
In our professional practice as landscape architects, we produce images. and seek inspiration before...
Artist's note: Typical farm cottage of 1860's - but obviously younger from verandah decoration. Now ...
Artist's note: Large house, renovated in 1930's. The cast iron fence is just positioned temporarily ...
Artist's notes: Simple double-fronted cottage. Photograph taken by Swinburne student, John Jewell, a...
Dioramas were once a commonly used tool for communicating the natural world to museum visitors, but ...
Artist's note: Two storey mansion (now apartment house) belonging to Thomas Guest, of Guest's Biscui...