InVertigo: An exploration of new methods of fusion between the mediated image and theatre narrative

‘InVertigo’ set out to explore new methods of fusion between the mediated image and theatre narrative. This was achieved through experimentation using found sound, poetic text and projected media to construct ‘new’ narrative. The project had three main areas of focus: 1) The synergy in theatrical space between media, performer and audience; 2) The ways in which digital technology might be used to inform character and narrative without the use of spoken text; 3) A redefinition of theatre space through the use of movement, sound and media. Developed as part of O’Connell’s ongoing research into the cognitive processes of visual stimuli in performance, by utilizing the concept that images trigger memory, images were projected into the performance space that were not necessarily scenographic, but instead would trigger a response through its association with the performer or the action on stage. Through this use of digital images, the viewer was expected to create their own personal narrative by stringing together a series of sense memories with performer action; in effect, making the piece of theatre less directive. While the application of technology is semi-controlled, how the viewer interacts and is influenced by the media is dependent on a multiple of factors such as space relationship, scale, subjectivity and focus choice. The work was supported through a £5000 Research and Development Grant for Individual Artists from Arts Council England; a grant from the Canadian Embassy to employ Canadian writer, Lucy Simic; and additional funding was received from the Norwegian Embassy. Working with the director, Ragnhild A. Morsh, who acted primarily as a creative producer, O’Connell deconstructed the text with actors in order to devise a narrative arch that would be juxtaposed alongside the projected images. ‘InVertigo’ was featured as a Launchpad project at the Visions Festival in Brighton (29th October 2004)