Sly was approached by the Electric Theatre in July 2004 and invited to develop designs for a new sculpture to be positioned in front of the theatre, as a result of a bequest from Darren Lloyd, a local resident with a long-standing active interest in the Electric Theatre. The Electric Theatre, established in 2007, planned the sculpture to ‘reflect the spirit of the theatre and to contain a feeling of movement and life’ and to be ‘abstract in structure and stimulate enquiry beyond the obvious’. Sly researched the history of theatrical masks and then designed a sculpture using mask shapes that avoided the stereotypical shapes of the more commonly known tragic and comic masks. He wanted the shapes to have the appearance of torn, fragmented f...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Ensemble creation in Canada is a popular form of script development. It began essentially in the 197...
This project is an exploration of how set and lighting designers would physically translate a classi...
‘The Surrey Scholar’ was commissioned by the University of Surrey for the historic town of Guildford...
“Light is architectural. It is structural.” - Robert Wils...
Mr. Burns was an exercise and exploration of many looks I could establish within the greater shell o...
Theatre is an intimate, live performance in which the audience is able to hear even the sound of act...
I realize, with some trepidation, that I have been doing theatre for most of my life. I have struggl...
Critics, dramaturges and fans praise Tennessee Williams' universal themes, incredible playwriting an...
This project is the scenic design for Seattle Pacific University Theatre’s mainstage production of T...
Thinly Veiled is one of several of commissions by Westerman based on research into the interface bet...
Experimental lighting design for the large-scale participatory theatre work ‘Summer. Autumn. Winter....
Lighting is one of the most ephemeral elements in a theatre production. Lighting is cued, illuminate...
The profession of theatrical lighting design is a relatively young one. For many years the responsib...
The purpose of this presentation is to provide a record and an explanation of the lighting design pr...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Ensemble creation in Canada is a popular form of script development. It began essentially in the 197...
This project is an exploration of how set and lighting designers would physically translate a classi...
‘The Surrey Scholar’ was commissioned by the University of Surrey for the historic town of Guildford...
“Light is architectural. It is structural.” - Robert Wils...
Mr. Burns was an exercise and exploration of many looks I could establish within the greater shell o...
Theatre is an intimate, live performance in which the audience is able to hear even the sound of act...
I realize, with some trepidation, that I have been doing theatre for most of my life. I have struggl...
Critics, dramaturges and fans praise Tennessee Williams' universal themes, incredible playwriting an...
This project is the scenic design for Seattle Pacific University Theatre’s mainstage production of T...
Thinly Veiled is one of several of commissions by Westerman based on research into the interface bet...
Experimental lighting design for the large-scale participatory theatre work ‘Summer. Autumn. Winter....
Lighting is one of the most ephemeral elements in a theatre production. Lighting is cued, illuminate...
The profession of theatrical lighting design is a relatively young one. For many years the responsib...
The purpose of this presentation is to provide a record and an explanation of the lighting design pr...
The output is a curated project called ‘Lightworks’ culminating in a show in 2016. The project was f...
Ensemble creation in Canada is a popular form of script development. It began essentially in the 197...
This project is an exploration of how set and lighting designers would physically translate a classi...