This solo exhibition brought together a body of work that addressed the relationship between materiality and haptic/tactile concerns inherent in the use of clay with the particular themes underlying Bugg’s fine art practice of timelessness, the horizon and landscape in relation to a sculptural reality, material substance, human scale and physical presence through sequences of fired clay reliefs and ceramic installations. Developed in direct relation to his drawing practice, the sculptures used processes of hand building and fundamental mechanical construction that mirror the gesture and mark-making of graphite and paper, developed as a parallel practice throughout this project. Realised through the use of minimal ceramic techniques the ...