Add to ORKGPaper discussing how digital printmaking relates to traditional physical printmaking. The relationship between online image and the physical product and how they fundamentally differ. Paul Coldwell uses examples of his own work to explore these ideas
The 'Born Digital - New Materialities' print portfolio is the result of a digitally mediated open ca...
The paper reflects on three approaches to the dissemination and display of digital art. \'1c"s[editi...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
This paper, through a conversation between Professor Coldwell and Dr Laidler, considers the ongoing ...
This paper examines, from the perspective of a critically engaged practioner within the context of c...
This article is based on a paper given at 'Hybrid Practices', a symposium held at Chelsea College of...
The past few years have seen an emergence of printmakers motivated by moving-image technology to use...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
For this project, I would like to combine the precision of computer-generated graphics with the warm...
Graphic arts are considered among the arts in which the technical factor is an essential one in term...
The explosion in digitization means that consumers increasingly have the opportunity to choose betwe...
Drawing is the innate human function of mark-making with the intent to produce line-based imagery. T...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
This research was initiated by questions raised from the researchers professional activities in fine...
It has been suggested by a range of established commentators that digital technology may have potent...
The 'Born Digital - New Materialities' print portfolio is the result of a digitally mediated open ca...
The paper reflects on three approaches to the dissemination and display of digital art. \'1c"s[editi...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...
This paper, through a conversation between Professor Coldwell and Dr Laidler, considers the ongoing ...
This paper examines, from the perspective of a critically engaged practioner within the context of c...
This article is based on a paper given at 'Hybrid Practices', a symposium held at Chelsea College of...
The past few years have seen an emergence of printmakers motivated by moving-image technology to use...
This paper will consider the relationship of print to the transmission of ideas through the multiple...
For this project, I would like to combine the precision of computer-generated graphics with the warm...
Graphic arts are considered among the arts in which the technical factor is an essential one in term...
The explosion in digitization means that consumers increasingly have the opportunity to choose betwe...
Drawing is the innate human function of mark-making with the intent to produce line-based imagery. T...
The paper studies the nature of artistic collaboration, concentrating on Fine Art Printmaking and th...
This research was initiated by questions raised from the researchers professional activities in fine...
It has been suggested by a range of established commentators that digital technology may have potent...
The 'Born Digital - New Materialities' print portfolio is the result of a digitally mediated open ca...
The paper reflects on three approaches to the dissemination and display of digital art. \'1c"s[editi...
The article discusses the curatorial premise and collaborative studio practices behind the Just Pres...