A two day conference at The British School at Rome examining drawing as a means to document, encounter and exchange experiences of place and cultural identity, in the context of travel, diaspora and the colonial and post-colonial histories of Australia and the UK. The conference was organised by The Centre for Drawing, University of the Arts London, Monash University of Art and Design, Australia and The British School at Rome. A series of discussions and presentation by leading international artists, academics and archivists
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
In architecture we make drawings to be precise and imprecise. Our imprecise sketches are impressions...
Panel 3 at the Travelling Lines, TrAIN conference. Drawing is enjoying a renaissance – in art edu...
In this body of work titled Lines of Negotiation drawing articulates the interstices inherent in per...
Co-Curated by the Drawing Room and TrAIN, University of the Arts London Research Centre for Transnat...
The paper examines the emergence of illustrative practices among fine artists to achieve a particula...
Drawing is enjoying a renaissance – in art education, art practice, curating and research. Drawing i...
Panel 4 at the Travelling Lines Conference (TrAIN). Drawing is enjoying a renaissance – in art ed...
Drawing can be explained in at least two ways: exemplifying trace, an inherent capacity or collectio...
Drawing, if it explores rather than defines, has the capacity to unlock the subconscious. It i...
Drawing is enjoying a renaissance – in art education, art practice, curating and research. Drawing i...
‘Drawn to Investigate’ is an exhibition exploring the potential of drawing as an investigative tool ...
This article discusses place, memory and drawing. It suggests that ‘place’ can be a key theme for il...
This article presents part of the process leading to the large-scale three-dimensional drawing entit...
This joint paper/ presentation scrutinises further the contradictory notion of the ephemeral associa...
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
In architecture we make drawings to be precise and imprecise. Our imprecise sketches are impressions...
Panel 3 at the Travelling Lines, TrAIN conference. Drawing is enjoying a renaissance – in art edu...
In this body of work titled Lines of Negotiation drawing articulates the interstices inherent in per...
Co-Curated by the Drawing Room and TrAIN, University of the Arts London Research Centre for Transnat...
The paper examines the emergence of illustrative practices among fine artists to achieve a particula...
Drawing is enjoying a renaissance – in art education, art practice, curating and research. Drawing i...
Panel 4 at the Travelling Lines Conference (TrAIN). Drawing is enjoying a renaissance – in art ed...
Drawing can be explained in at least two ways: exemplifying trace, an inherent capacity or collectio...
Drawing, if it explores rather than defines, has the capacity to unlock the subconscious. It i...
Drawing is enjoying a renaissance – in art education, art practice, curating and research. Drawing i...
‘Drawn to Investigate’ is an exhibition exploring the potential of drawing as an investigative tool ...
This article discusses place, memory and drawing. It suggests that ‘place’ can be a key theme for il...
This article presents part of the process leading to the large-scale three-dimensional drawing entit...
This joint paper/ presentation scrutinises further the contradictory notion of the ephemeral associa...
"These drawings investigate accumulation, time (duration), gesture, intimacy and the trace ...
In architecture we make drawings to be precise and imprecise. Our imprecise sketches are impressions...
Panel 3 at the Travelling Lines, TrAIN conference. Drawing is enjoying a renaissance – in art edu...