Part of the exhibition 'Out of Nowhere' curated by John Wynne and Michael Madsen, June 1997. Michael initiated Lydd/Galleri, a gallery working with sound and music based around the construction of a system of 25 loudspeakers built into the paving of a section of the enormous city square near the City Hall. The speaker system is driven from a small studio space underneath the square. Each individual speaker is under the control of an automated routing system from a control and routing system in the studio. For 'Open Square' a microphone was positioned about 150m away from the speaker grid and the amplified sound of the square was fed to the speakers in real time. This gentle amplification was programmed to fade in and out in irregular...
As attachment: A0 poster. My research deals with translations of sounds into notations which are the...
‘Quiet, too quiet, but not silent’ was commissioned by the cultural centre Conde Duque in Madrid, as...
After having worked in film sound for forty years I already knew that sound can create a powerful ill...
This installation was created in the Queen's Powder Magazine on Goat Island, a nature reserve in Syd...
The three upper galleries of Ikon house two variants of The Listening Room. Each installation ampli...
This version of The Listening Room is minimal, one microphone and two loudspeakers in the Reading Ro...
The Listening Room is part of Activated Space, David Cunningham's project to develop and present a s...
This proposal is to amplify the dark space beneath the stairs in the Fine Art Department at Newcastl...
I am trying to find out about the complex ways in which the process of both inner listening and inti...
There are two installations in ICC, both in non-gallery spaces, the Lounge area and Stairwell. Th...
Interior was a site specific installation that formed part of the group exhibition Another Movement,...
Two large sound installations, developed by transdisciplinary sound art and research group Urban Sou...
This article is an analysis of two sound art performances that took place June 2015 in outdoor publi...
Architecture is not only a visual and physical phenomenon but also an instrument that tempers and co...
National audienceMore and more, the world of art is becoming an attentive listener, as if a terra in...
As attachment: A0 poster. My research deals with translations of sounds into notations which are the...
‘Quiet, too quiet, but not silent’ was commissioned by the cultural centre Conde Duque in Madrid, as...
After having worked in film sound for forty years I already knew that sound can create a powerful ill...
This installation was created in the Queen's Powder Magazine on Goat Island, a nature reserve in Syd...
The three upper galleries of Ikon house two variants of The Listening Room. Each installation ampli...
This version of The Listening Room is minimal, one microphone and two loudspeakers in the Reading Ro...
The Listening Room is part of Activated Space, David Cunningham's project to develop and present a s...
This proposal is to amplify the dark space beneath the stairs in the Fine Art Department at Newcastl...
I am trying to find out about the complex ways in which the process of both inner listening and inti...
There are two installations in ICC, both in non-gallery spaces, the Lounge area and Stairwell. Th...
Interior was a site specific installation that formed part of the group exhibition Another Movement,...
Two large sound installations, developed by transdisciplinary sound art and research group Urban Sou...
This article is an analysis of two sound art performances that took place June 2015 in outdoor publi...
Architecture is not only a visual and physical phenomenon but also an instrument that tempers and co...
National audienceMore and more, the world of art is becoming an attentive listener, as if a terra in...
As attachment: A0 poster. My research deals with translations of sounds into notations which are the...
‘Quiet, too quiet, but not silent’ was commissioned by the cultural centre Conde Duque in Madrid, as...
After having worked in film sound for forty years I already knew that sound can create a powerful ill...