This chapter examines Antigone's popularity in Ireland beginning with the first adaptation by Frank McGuinness in the mid-1980s, and including subsequent adaptations by Tom Paulin, Aidan Carl Matthews, Brendan Kennelly, Pat Murphy (a film version), Seamus Heaney, Conall Morrison, and Owen McCafferty. In a country where ritual lamentation and public burial are live and central traditions, Antigone has served as an embodiment of feminine resistance to colonial oppression and patriarchy. The chapter argues that Antigone is a modern play - and a modern figure - linked with Ireland and its archetypal mythical figures such as Deirdre
Irish theatre and its histories typically appear dominated by men and their actions. Drawing on the ...
Includes bibliographical references.Contains 3 papers: Standish O'Grady : unknown force behind the I...
This thesis analyses the transmission of the Deirdre legend in adaptations from the earliest written...
The Burial at Thebes, Seamus Heaney's adaptation of Antigone, was first performed at the centenary c...
Funerary performances loom large in the earliest accounts of Ireland and Irishness that come down to...
Over the past 50 years Ireland has undergone a sweeping series of changes that have transitioned the...
International audienceThis book discusses Irish Passion plays (plays that rewrite or parody the stor...
The programme was scanned from an original held in the University Archives.This play was produced un...
With the support of some versions which take Sophocles' Antigone as a point of departure, this essay...
Sophocles’ dramatic depiction of the myth of Antigone (441 BC) has undergone a range of theatrical r...
With the support of some versions which take Sophocles' Antigone as a point of departure, this essay...
of the Thesis The topic of this thesis is the use of mythology and folklore in Irish drama from the ...
It is hard to escape the portrayal of what twentieth century life might have been like for a peniten...
Following nearly eight hundred years of British colonial rule, the twentieth century for Ireland was...
This project is a source study of the materials used by William Butler Yeats and Lady Augusta Gregor...
Irish theatre and its histories typically appear dominated by men and their actions. Drawing on the ...
Includes bibliographical references.Contains 3 papers: Standish O'Grady : unknown force behind the I...
This thesis analyses the transmission of the Deirdre legend in adaptations from the earliest written...
The Burial at Thebes, Seamus Heaney's adaptation of Antigone, was first performed at the centenary c...
Funerary performances loom large in the earliest accounts of Ireland and Irishness that come down to...
Over the past 50 years Ireland has undergone a sweeping series of changes that have transitioned the...
International audienceThis book discusses Irish Passion plays (plays that rewrite or parody the stor...
The programme was scanned from an original held in the University Archives.This play was produced un...
With the support of some versions which take Sophocles' Antigone as a point of departure, this essay...
Sophocles’ dramatic depiction of the myth of Antigone (441 BC) has undergone a range of theatrical r...
With the support of some versions which take Sophocles' Antigone as a point of departure, this essay...
of the Thesis The topic of this thesis is the use of mythology and folklore in Irish drama from the ...
It is hard to escape the portrayal of what twentieth century life might have been like for a peniten...
Following nearly eight hundred years of British colonial rule, the twentieth century for Ireland was...
This project is a source study of the materials used by William Butler Yeats and Lady Augusta Gregor...
Irish theatre and its histories typically appear dominated by men and their actions. Drawing on the ...
Includes bibliographical references.Contains 3 papers: Standish O'Grady : unknown force behind the I...
This thesis analyses the transmission of the Deirdre legend in adaptations from the earliest written...