This thesis conducts the first book-length study on the operation of the Rose playhouse as a key theatrical presence whose operational history spanned over a transitional period for early modern English theatre. Inspired by the current increasing awareness of the playing company as an organising unit in additional to the author-based perspectives for studying early modern English drama, this project undertakes the task of examining the Rose playhouse as a unit for theatrical production and a nexus where various strands of the material, cultural-geographical, political, financial, as well as literary forces converged and interacted with each other.</p
Recent research on patronage, performance and playing spaces in early modern England allows us to re...
The study of early drama has undergone a quiet revolution in the last four decades, radically alteri...
This thesis explores the notion that the emergent language of theatre, and more generally of modern ...
This thesis conducts the first book-length study on the operation of the Rose playhouse as a key the...
Early modern drama was a product of the new theatrical spaces that began to open from the 1560s onwa...
This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century pl...
Some of the most famous plays in the English language were performed on the stage of the Rose theate...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
Excavations at the sites of two famous playhouses of Tudor London, the Rose and the Globe in Southwa...
This thesis offers a comprehensive account of the history, forms and content of playbills and theatr...
This thesis provides a wide-ranging analysis of Shakespeare performance in the English provinces fro...
How does our understanding of early modern performance, culture and identity change when we decentre...
This production of 'As you like it' was developed with the Rose of Kingston in mind. The Rose is a ...
In two plays of the Lord Admiral’s Men, Englishmen for My Money and The Two Angry Women of Abingdon,...
The purpose of this thesis is to trace the history and development of scenery, costumes, lighting, a...
Recent research on patronage, performance and playing spaces in early modern England allows us to re...
The study of early drama has undergone a quiet revolution in the last four decades, radically alteri...
This thesis explores the notion that the emergent language of theatre, and more generally of modern ...
This thesis conducts the first book-length study on the operation of the Rose playhouse as a key the...
Early modern drama was a product of the new theatrical spaces that began to open from the 1560s onwa...
This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century pl...
Some of the most famous plays in the English language were performed on the stage of the Rose theate...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
Excavations at the sites of two famous playhouses of Tudor London, the Rose and the Globe in Southwa...
This thesis offers a comprehensive account of the history, forms and content of playbills and theatr...
This thesis provides a wide-ranging analysis of Shakespeare performance in the English provinces fro...
How does our understanding of early modern performance, culture and identity change when we decentre...
This production of 'As you like it' was developed with the Rose of Kingston in mind. The Rose is a ...
In two plays of the Lord Admiral’s Men, Englishmen for My Money and The Two Angry Women of Abingdon,...
The purpose of this thesis is to trace the history and development of scenery, costumes, lighting, a...
Recent research on patronage, performance and playing spaces in early modern England allows us to re...
The study of early drama has undergone a quiet revolution in the last four decades, radically alteri...
This thesis explores the notion that the emergent language of theatre, and more generally of modern ...