The materials of scenography - space, light, sound, structures, objects, fabrics, textures and colours - play a central role in audience experience, yet the agency of these things is performance has not been given much attention. Using Merleau-Ponty's notion of the chiasm, it is possible to understand how the seer and the seen are bound in a reciprocal relationship and how reversibility between subjects and objects applies to the experience of scenography. But beyond that, what is it that objects and materials themselves might be capable of? This chapter draws on practice- led research and considers recent ideas about the capability of materials to address this question
A thesis submitted to the Faculty of Humanities, in partial fulfilment of the degree of Master of Ar...
La multiplication des œuvres contemporaines à la croisée des disciplines a accordé à la scénographie...
In the expanded field of performance design research there is a growing understanding of the dynamic...
The materials of scenography - space, light, sound, structures, objects, fabrics, textures and colou...
Katrin Brack’s atmospherically charged designs are fluid, responsive constructions that foreground t...
The thematic framing for PQ2019, ‘imagination, transformation, and memory’, speaks to a cycle of cre...
In this introductory chapter, McKinney and Palmer survey the newly emerged field of expanded scenogr...
The thematic framing for PQ2019, ‘imagination, transformation, and memory’, speaks to a cycle of cre...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This practice-based study uses a series of three scenographic performances to investigate the nature...
In my work as a scenographer I develop a visual and tactile landscape that frames a performance. I u...
This article addresses the theme of the ‘scenographic turn’ from the perspective of a spectator’s ex...
This study sits at the intersection of two fields of academic enquiry into performance practice: aud...
This paper will emulate the position of material within the compound of artistic practice, or refere...
The position of material engagement within the artistic practice differs from that of scientific pra...
A thesis submitted to the Faculty of Humanities, in partial fulfilment of the degree of Master of Ar...
La multiplication des œuvres contemporaines à la croisée des disciplines a accordé à la scénographie...
In the expanded field of performance design research there is a growing understanding of the dynamic...
The materials of scenography - space, light, sound, structures, objects, fabrics, textures and colou...
Katrin Brack’s atmospherically charged designs are fluid, responsive constructions that foreground t...
The thematic framing for PQ2019, ‘imagination, transformation, and memory’, speaks to a cycle of cre...
In this introductory chapter, McKinney and Palmer survey the newly emerged field of expanded scenogr...
The thematic framing for PQ2019, ‘imagination, transformation, and memory’, speaks to a cycle of cre...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This practice-based study uses a series of three scenographic performances to investigate the nature...
In my work as a scenographer I develop a visual and tactile landscape that frames a performance. I u...
This article addresses the theme of the ‘scenographic turn’ from the perspective of a spectator’s ex...
This study sits at the intersection of two fields of academic enquiry into performance practice: aud...
This paper will emulate the position of material within the compound of artistic practice, or refere...
The position of material engagement within the artistic practice differs from that of scientific pra...
A thesis submitted to the Faculty of Humanities, in partial fulfilment of the degree of Master of Ar...
La multiplication des œuvres contemporaines à la croisée des disciplines a accordé à la scénographie...
In the expanded field of performance design research there is a growing understanding of the dynamic...