This thesis examines plays written by four playwrights in the context of Edwardian suffragism between 1907 and 1914. It aims to demonstrate that suffrage drama is much more versatile in its subjects, representations of women and dramatic strategies than previously thought. It argues that suffrage plays were not only an imitation of Edwardian social drama with a political message. Instead, it suggests that suffrage playwrights exploited a large variety of sources and strategies in the construction of their female characters and plots. To do so, they appropriated theatrical and dramatic strategies of popular theatre genres of the Edwardian age such as melodramas, musical comedies, tableaux vivants, history plays and farces. The method used in...
My thesis entitled ‘Women’s wit on stage, 1660-1720’ argues that women’s wit emerged as a distinct c...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
The purpose of this thesis is to analyse the dramatic results of introducing women to replace boy-ac...
During the years 1906 to 1914, as a flagging woman's movement was revitalized by the controversial W...
During the years 1906 to 1914, as a flagging woman's movement was revitalized by the controversial W...
This thesis is an attempt to identify and reposition the work of a number of women playwrights whos...
This thesis consists of three case studies: Cicely Hamilton, Elizabeth Robins, and Kitty Marion, all...
This thesis investigates the works of the London-based suffrage theatre group, the Actresses' Franch...
This thesis investigates the works of the London-based suffrage theatre group, the Actresses' Franch...
During the nineteenth century, theatregoing became the favoured entertainment of both the lower and ...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess...
This paper examines the socio-historical subversion of ‘juridico-discursive\u27 power in the late Vi...
My thesis entitled ‘Women’s wit on stage, 1660-1720’ argues that women’s wit emerged as a distinct c...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
The purpose of this thesis is to analyse the dramatic results of introducing women to replace boy-ac...
During the years 1906 to 1914, as a flagging woman's movement was revitalized by the controversial W...
During the years 1906 to 1914, as a flagging woman's movement was revitalized by the controversial W...
This thesis is an attempt to identify and reposition the work of a number of women playwrights whos...
This thesis consists of three case studies: Cicely Hamilton, Elizabeth Robins, and Kitty Marion, all...
This thesis investigates the works of the London-based suffrage theatre group, the Actresses' Franch...
This thesis investigates the works of the London-based suffrage theatre group, the Actresses' Franch...
During the nineteenth century, theatregoing became the favoured entertainment of both the lower and ...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
This dissertation traces the nineteenth- and early-twentieth-century history of what I call “Poetess...
This paper examines the socio-historical subversion of ‘juridico-discursive\u27 power in the late Vi...
My thesis entitled ‘Women’s wit on stage, 1660-1720’ argues that women’s wit emerged as a distinct c...
This dissertation argues that between the 1790s and 1870s female performers and their publics transf...
The purpose of this thesis is to analyse the dramatic results of introducing women to replace boy-ac...