Throughout its existence, East Germany’s ruling Sozialistische Einheitspartei Deutschlands (SED) never officially acknowledged any direct or inherited responsibility for the crimes committed on its territory between 1933 and 1945, instead choosing to recast itself as both victim and victor of fascist oppression through the foregrounding of political persecution. This interpretative framework undoubtedly resulted in the marginalisation of the fate of Jews under National Socialism in East German historiography and memories of the past. However, by focusing on East German cinematic engagements with National Socialist racial persecution, I seek to challenge the assertion that films depicting Jewish victimhood were unwelcome or even taboo in the...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
In works of film history many pages have been written on the representation of World War II and th...
Throughout its existence, East Germany’s ruling Sozialistische Einheitspartei Deutschlands (SED) nev...
This thesis examines East German Holocaust memory during the late 1950s and 1960s through an analysi...
Zvezdi/Sterne” (Stars), an Bulgarian/East-German co-production directed by Konrad Wolf, is one of th...
Issues surrounding the reaction to and reception of the Holocaust in post-war Germany are complex, o...
One of the most prominent films made by producer-director Stanley Kramer, from an original screenpla...
My dissertation investigates the cinematic representation of forced migration (due to the border cha...
W jaki sposób niemieccy twórcy filmowi dwóch pierwszych dziesięcioleci po zakończeniu II wojny świat...
When Germany surrendered in May 1945, cultural life found itself at a standstill. In the west, the A...
After World War II the movies concerned with the Jews were eliminated from the Soviet cinematography...
After World War II the movies concerned with the Jews were eliminated from the Soviet cinematography...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
In works of film history many pages have been written on the representation of World War II and th...
Throughout its existence, East Germany’s ruling Sozialistische Einheitspartei Deutschlands (SED) nev...
This thesis examines East German Holocaust memory during the late 1950s and 1960s through an analysi...
Zvezdi/Sterne” (Stars), an Bulgarian/East-German co-production directed by Konrad Wolf, is one of th...
Issues surrounding the reaction to and reception of the Holocaust in post-war Germany are complex, o...
One of the most prominent films made by producer-director Stanley Kramer, from an original screenpla...
My dissertation investigates the cinematic representation of forced migration (due to the border cha...
W jaki sposób niemieccy twórcy filmowi dwóch pierwszych dziesięcioleci po zakończeniu II wojny świat...
When Germany surrendered in May 1945, cultural life found itself at a standstill. In the west, the A...
After World War II the movies concerned with the Jews were eliminated from the Soviet cinematography...
After World War II the movies concerned with the Jews were eliminated from the Soviet cinematography...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
Drawing on Alison Landsberg’s concept of ‘prosthetic memory’ (2003) and Aleida Assmann’s ‘mode of em...
In works of film history many pages have been written on the representation of World War II and th...