This paper deals with four basalt stones found in Wadi Salmā, in the desert of north-eastern Jordan, during a survey of the OCIANA project (Online Corpus of the Inscriptions of Ancient North Arabia) in April 2015. These stones bear depictions of musicians with their instruments alongside Safaitic inscriptions. This paper will present an analysis of the musical instruments represented on these stones. It appears that five distinct musical instruments are depicted. It can be surmised that these instruments needed to be light and easily transportable on account of the pastoral, nomadic life that the peoples inhabiting the region led. It also appears from the depictions that women played a prominent role in musical gatherings
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
This article focuses on the relationship between acoustics and rock art in Levantine art in Mediterr...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...
This paper deals with four basalt stones found in Wadi Salmā, in the desert of north-eastern Jordan,...
It is true that the music of antiquity is now mute, but archaeology has provided valuable artifacts ...
The Safaitic rock art of the North Arabian basalt desert is a unique and understudied material, one ...
This dissertation examines how the consideration of music complicates our understanding of the exper...
This paper presents and discusses the archaeological evidence for Ancient rock art and Thamudic insc...
Music in ancient Israel/Palestine is discussed from its documented beginnings in the Stone Age (c. 1...
Despite several intensive archaeological investigations conducted in the Kingdom of Saudi Arabia ove...
This paper discusses the current problems that exist with the rock art research of the Black Deser...
Rock art, basically being non-utilitarian, non-textual anthropic markings on natural rock surfaces, ...
In this article, the potential of archaeoacoustics for understanding past communities is discussed b...
Bony flutes dated back to around 43,000 years old are the clearest examples of musical instruments e...
This paper considers the question of antiquity of shamanism in Central Asia and outlines several lin...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
This article focuses on the relationship between acoustics and rock art in Levantine art in Mediterr...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...
This paper deals with four basalt stones found in Wadi Salmā, in the desert of north-eastern Jordan,...
It is true that the music of antiquity is now mute, but archaeology has provided valuable artifacts ...
The Safaitic rock art of the North Arabian basalt desert is a unique and understudied material, one ...
This dissertation examines how the consideration of music complicates our understanding of the exper...
This paper presents and discusses the archaeological evidence for Ancient rock art and Thamudic insc...
Music in ancient Israel/Palestine is discussed from its documented beginnings in the Stone Age (c. 1...
Despite several intensive archaeological investigations conducted in the Kingdom of Saudi Arabia ove...
This paper discusses the current problems that exist with the rock art research of the Black Deser...
Rock art, basically being non-utilitarian, non-textual anthropic markings on natural rock surfaces, ...
In this article, the potential of archaeoacoustics for understanding past communities is discussed b...
Bony flutes dated back to around 43,000 years old are the clearest examples of musical instruments e...
This paper considers the question of antiquity of shamanism in Central Asia and outlines several lin...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
This article focuses on the relationship between acoustics and rock art in Levantine art in Mediterr...
The Gnawa of Oujda: music at the margins in Morocco.This paper describes some of my fieldwork encoun...