Reflextion of technologies of electroacoustic music in vocal and instrumental music

The present text of the thesis discuss the technology and its impact on the composer's compositional work . Current music scene we called artificial music in principle pervades the world of acoustic sound to the world of electroacoustic sound, which is a major field of researches of art music for several decades. Continuous development and improvement of the technologies in the context of better accessibility in practice means increasing infiltration of technology solutions to the triangle composer - performer - listener . The main focus of the text consists of analytical probes into the current technological solutions and their subsequent contribution to the work of the composer. Technology can play a role of analyse, interpretation, and indirectly also compositional realisation. The knowledge gained in electroacoustic techniques then embedded in the context of acoustic compositional techniques , resulting in many times possibilities for classification of sound through different optics. An important role for the sound still plays a space. The work deals with the meaning of the word space both in terms of architectural design , and the view of possibility to create virtual space. The penultimate chapter gives the reader an insight into the field of generative music through the project Mysticism fragrance. Final text summarization aims primarily to identify and map out possible solutions for composing in the context of the technologies which we can use today