Consonance and Dissonance in the Context of My and Other Composers' Works

The first three chapters cover historical and contemporary theories of consonance and dissonance that directly influenced my work. This thesis focuses on music-theory and acoustic interpretations of the two terms, but contains also two non-conform points of view on the subject. In the last - fourth - chapter, using own reflections and analyses of own compositions, I describe main relationships of the terms consonance and dissonance with my works