The double-reed brass,the history, and the methodology of playing the oboe

This thesis is interested in the history of the double-reed brass from the primeval ages until nowadays. It also briefly presents the process of production of the musical instrument called oboe. The significant names of composers and interpreters for oboe are mentioned as well. The thesis also deals with the current form of oboe, bassoon and other similar musical instruments. In the last of three parts of this thesis the methodology of teaching to play the oboe is mentioned. This part describes qualification for playing the oboe, the right posture, and the technique of breathing and embouchure. The methodology is also focused on the function of appliance in the oboe and the creation of tones. The thesis provides guidelines for right home exercises and it briefly describes the process of teacher?s work in lessons