Written to educate the population in Catholic doctrine and salvation history on the feast of Corpus Christi, the allegorical auto sacramental drama by Calderón de la Barca attains the height of popularity and depicts the detrimental aspects of imitative desire in Spanish Baroque society. 17th-century Spanish religious commentators point to moral degeneration and violence as the result of \u27inordinate aspirations\u27 stemming from the cross-strata desire to imitate the Other and to acquire material goods. In chapter one, The Crisis of Desire in the Calderonian Auto Sacramental, René Girard\u27s mimetic theory provides the theoretical foundation for the analysis of the Calderonian autos, Tu prójimo como a ti, La nave del Mercader, and ...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Spanish playwright Calderòn de la Barca (1600-1681) shares the same religious vision with the Si...
Written to educate the population in Catholic doctrine and salvation history on the feast of Corpus ...
Date du colloque : 07/2011International audienceIn Calderon's 'Auto Sacramentales' the violence...
For José Antonio Maravall, the 17th century in Spain is, in contrast to the 16th century, marked by ...
What are the roots of human violence? Many theses seek to explain societal rivalry, injustice, and s...
textEl nuevo palacio del Retiro (1634), El cubo de la Almudena (1651), La devoción de la misa (1658...
Few would refute the didactic nature of stained glass windows, paintings, and sculptures used in Spa...
Este artículo interpreta en tres planos la tesis de Girard de que el sacrificio está en el origen de...
Key Western theories of Christ\u27s death on the cross have been worked out in terms of exchange bro...
This dissertation studies how early modern Spaniards perceived and reacted to sacrilege, that is, to...
My dissertation examines concepts of creative agency in early modern thought and baroque poetics, wi...
This article presents a reading of Alfonso Reyes Ifigenia cruel informed by René Girard s theories ...
Purgatories have traditionally been associated with a culture of fear. While there was not much pain...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Spanish playwright Calderòn de la Barca (1600-1681) shares the same religious vision with the Si...
Written to educate the population in Catholic doctrine and salvation history on the feast of Corpus ...
Date du colloque : 07/2011International audienceIn Calderon's 'Auto Sacramentales' the violence...
For José Antonio Maravall, the 17th century in Spain is, in contrast to the 16th century, marked by ...
What are the roots of human violence? Many theses seek to explain societal rivalry, injustice, and s...
textEl nuevo palacio del Retiro (1634), El cubo de la Almudena (1651), La devoción de la misa (1658...
Few would refute the didactic nature of stained glass windows, paintings, and sculptures used in Spa...
Este artículo interpreta en tres planos la tesis de Girard de que el sacrificio está en el origen de...
Key Western theories of Christ\u27s death on the cross have been worked out in terms of exchange bro...
This dissertation studies how early modern Spaniards perceived and reacted to sacrilege, that is, to...
My dissertation examines concepts of creative agency in early modern thought and baroque poetics, wi...
This article presents a reading of Alfonso Reyes Ifigenia cruel informed by René Girard s theories ...
Purgatories have traditionally been associated with a culture of fear. While there was not much pain...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Treatise of the Instruments of Martyrdom (Italian version 1591, Latin version 1594), published b...
The Spanish playwright Calderòn de la Barca (1600-1681) shares the same religious vision with the Si...