The chapters in this anthology discuss the rapid change of digital media technologies and the way they impetus our understanding of history and memory. History should not be regarded only as an object of research. It is also a subject, performing and registering agency. The aim of the articles will not be to cover the whole range of mediated histories, but to claim fresh insights for debate and discovery in terms of digital memories. In this sense, contributions for this volume will leave the ‘doors of perception’ (Aldous Huxley) wide open and sketch the impact of media to different cultural practices, identity work and preservation of history, as well as the examination of it. Likewise, divergence of the papers at hand indicates that the c...
While most media-memory research focuses on particular cultural repository sites, memorials, traumat...
Storytelling is old, but in our digital age its means are new. When an event of huge cultural signif...
peer reviewedThe rise of public history is the result of an unfolding technological-epistemological ...
Digital media, networks and archives reimagine and revitalize individual, social and cultural memory...
This groundbreaking and truly interdisciplinary collection of essays examines how digital media tech...
How do we rely on media for remembering? In exploring the complex ways that media converge to suppor...
What is digital memory? How are digital technologies changing what we remember and how? Records of t...
Information stored in digital media literally and metaphorically loses its historical dimensions but...
The rapid technological developments of the new millennium have presented exciting challenges to the...
What is digital memory? How are digital technologies changing what we remember and how? Records of t...
Objects, material or digital, mediate memories: they act as anchors in between temporal notions and ...
Archiving the Archive is an exploration of the changing ways we hold our memories through media. As ...
The profile of oral history research has grown dramatically over the past two decades. One of the re...
Increasingly history is being produced in computer-based environments that owe conceptual debts to h...
My dissertation answers two questions: Does the tension between interactive technologies and rhetori...
While most media-memory research focuses on particular cultural repository sites, memorials, traumat...
Storytelling is old, but in our digital age its means are new. When an event of huge cultural signif...
peer reviewedThe rise of public history is the result of an unfolding technological-epistemological ...
Digital media, networks and archives reimagine and revitalize individual, social and cultural memory...
This groundbreaking and truly interdisciplinary collection of essays examines how digital media tech...
How do we rely on media for remembering? In exploring the complex ways that media converge to suppor...
What is digital memory? How are digital technologies changing what we remember and how? Records of t...
Information stored in digital media literally and metaphorically loses its historical dimensions but...
The rapid technological developments of the new millennium have presented exciting challenges to the...
What is digital memory? How are digital technologies changing what we remember and how? Records of t...
Objects, material or digital, mediate memories: they act as anchors in between temporal notions and ...
Archiving the Archive is an exploration of the changing ways we hold our memories through media. As ...
The profile of oral history research has grown dramatically over the past two decades. One of the re...
Increasingly history is being produced in computer-based environments that owe conceptual debts to h...
My dissertation answers two questions: Does the tension between interactive technologies and rhetori...
While most media-memory research focuses on particular cultural repository sites, memorials, traumat...
Storytelling is old, but in our digital age its means are new. When an event of huge cultural signif...
peer reviewedThe rise of public history is the result of an unfolding technological-epistemological ...