Blue and green copper pigments occur in a wide range of chemically close, although mineralogically different species, which makes their proper identification nontrivial. Furthermore, they can be of various origins – natural, artificial or formed as a result of corrosion of another copper pigment. The degradation of copper pigments is a serious problem in case of artworks exposed to corrosive environment, such as wall paintings or exterior stone polychromes. In this paper, we document the variability of copper pigments used in history on examples of selected wall paintings. The problem of origin and stability of copper pigments in wall paintings is solved using advanced microanalytical investigation of paint layers together with the laborato...
A multianalytical study was proposed for the study of late-gothic wall paintings preserved inside th...
Cette thèse, financée par la Fondation des Sciences du Patrimoine, Patrima, a pour but la compréhens...
NoThe adoption of mineral pigments for artistic expression can be traced back to the paintings of th...
Blue and green copper pigments occur in a wide range of chemically close, although mineralogically d...
Impurities in paint layers executed with green and blue copper pigments, although relatively common,...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's...
Samples of blue wall paint layers from selected 15th to 18th century religious mural paintings from ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
The focus of this thesis is the discoloration of a common historical green pigment, copper resinate....
The Expulsion of Hagar is one of several oil on copper paintings by C.W. Deitrich from the 1700\u27s...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
A multianalytical study was proposed for the study of late-gothic wall paintings preserved inside th...
Cette thèse, financée par la Fondation des Sciences du Patrimoine, Patrima, a pour but la compréhens...
NoThe adoption of mineral pigments for artistic expression can be traced back to the paintings of th...
Blue and green copper pigments occur in a wide range of chemically close, although mineralogically d...
Impurities in paint layers executed with green and blue copper pigments, although relatively common,...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's...
Samples of blue wall paint layers from selected 15th to 18th century religious mural paintings from ...
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
The focus of this thesis is the discoloration of a common historical green pigment, copper resinate....
The Expulsion of Hagar is one of several oil on copper paintings by C.W. Deitrich from the 1700\u27s...
This study provides a new reason for the colour alteration of the first man-made pigments (Egyptian ...
A multianalytical study was proposed for the study of late-gothic wall paintings preserved inside th...
Cette thèse, financée par la Fondation des Sciences du Patrimoine, Patrima, a pour but la compréhens...
NoThe adoption of mineral pigments for artistic expression can be traced back to the paintings of th...