The first part of this paper briefly reviews the history of typography and the ways how the traditional typefaces had been modified in order to ensure high readability and legibility. Semiotics of type, as well as the importance of positive emotional response to UI and UX, are discussed in the second part, highlighting the important patterns in the user’s comprehension and emotional responses. In the third place, the shift towards the “mobile first” approach is emphasized, and the importance of adopting the appropriate methods and techniques which would ensure the optimal representation on information on small screen handheld devices is justified; the problems caused by type scaling and reading patterns, screen resolution, pixel representat...
This thesis investigates how the gradual shift from print to portable screen based technology has i...
In the era of contemporary and rapid way of life and with advancing digital technology, the display ...
This chapter discusses the personality traits of onscreen typefaces and the perceived appropriatenes...
Written texts are more and more consumed in a multitude of different environments and media: on scre...
For the past 500 years humans have been developing means of communication through the development of...
The digital age has created a need for font designers to address a different set of optical typogra...
This thesis presents a survey of type design during the period 1987 to 1997, the decade after the wi...
Typesetting and typography have become misunderstood terms, if not obsolete, due to the proliferatio...
This thesis investigates how the gradual shift from print to portable screen based technology has im...
Throughout most of the existence of written languages, words were hand written or printed on various...
Advances in digital technology have greatly facilitated the design of new type fonts. Today, hundred...
Typography: A Very Short Introduction offers a broad definition of typography as design for reading,...
The paper will consider the phenomenon of the chromatic, multi-colored or ‘layered’ typeface and its...
Significant changes have taken place in the type design as a result of what has often been termed t...
On this essay, the main topic is related to one of the branch in visual communication design, typogr...
This thesis investigates how the gradual shift from print to portable screen based technology has i...
In the era of contemporary and rapid way of life and with advancing digital technology, the display ...
This chapter discusses the personality traits of onscreen typefaces and the perceived appropriatenes...
Written texts are more and more consumed in a multitude of different environments and media: on scre...
For the past 500 years humans have been developing means of communication through the development of...
The digital age has created a need for font designers to address a different set of optical typogra...
This thesis presents a survey of type design during the period 1987 to 1997, the decade after the wi...
Typesetting and typography have become misunderstood terms, if not obsolete, due to the proliferatio...
This thesis investigates how the gradual shift from print to portable screen based technology has im...
Throughout most of the existence of written languages, words were hand written or printed on various...
Advances in digital technology have greatly facilitated the design of new type fonts. Today, hundred...
Typography: A Very Short Introduction offers a broad definition of typography as design for reading,...
The paper will consider the phenomenon of the chromatic, multi-colored or ‘layered’ typeface and its...
Significant changes have taken place in the type design as a result of what has often been termed t...
On this essay, the main topic is related to one of the branch in visual communication design, typogr...
This thesis investigates how the gradual shift from print to portable screen based technology has i...
In the era of contemporary and rapid way of life and with advancing digital technology, the display ...
This chapter discusses the personality traits of onscreen typefaces and the perceived appropriatenes...