Add to ORKGThe dissertation deals with other space between stage and auditorium based on my own stage experience and concrete examples. It concerns in the first three chaps of keywords: 1/ micro- and macro- world as the space, 2/ memory as the space and 3/ stage music and stage sound as the space. In last chapter deals with relationship between actor and spectator to this other spaces based on my own stage experience on performance Neograničené linije/ Borderless Lines/ Neohraničené linie in Belgrade in Serbia. To conclude, the dissertation mentions a few rules on how to treat the space between the stage and the auditorium. It compares this space to a landscape, where it is above all the relationship between the existence of place and existence of hum...