Introduction to recordings in authentics acoustics spaces

This thesis represents particular specifications of making sound recordings outside the audio recording studio, it means in the authentic spaces of concert halls, castles, monasteries, churches etc. There are mentioned the main information to explain the way of recording, then it represents a relationship between recording music and the acoustics space, the main criteria for space evaluation and its influence on a musician. There are some paragraphs containing recommendation for the right choice of the authentic space in reference to recording music and its style period as well. The chapter about technical equipment shows the main differences between the technical equipment of classical audio recording studio and ambient recordings from point of view of recording, mixing and directional patterns choice. This text also points out to preparation before recording, preparation improvisation control room and problematics outside noise