This work is dealt with radio drama - its sound body. Particularly it examines phenomenon of virtual sound space from the listeners´ point of view, as well as from the point of view of sound engineer (or director) who is very familiar with all the working process. However auditive production means complex system. Once the realization is initiated, the author has to think over both the physical substance of sound and the dramaturgic aim. As well as aesthetical aspect. This combination only leads to the successful produce. There is also a short introduce to a suppositional situation of radio drama into the futur
This paper investigates the importance of forming the virtual space in recorded music. With a produc...
Radio drama has been around for more than one hundred years and is still vibrant in many countries. ...
In this paper, the Sound Space Manifold is described as an interaction between sound and geometry th...
This thesis is dealt with one of the most important domain in preparatory and production works of ra...
This study is a case history of radio drama production at one particular broadcasting authority in W...
Background in acoustics. The depth of acoustic events represents one of the most ambiguous aspects o...
Non-visual radio production, revealing the conflict with the classical art canon, demarcates its ow...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
This paper explores ideas related to Electronic Voice Phenomena (EVP) and the disembodied voice in m...
In this 'diary on sound' written during the adaptation recording and editing process of the longest ...
This article explores the use of sound in the context of two BBC World Service development-focused s...
In this \'diary on sound\' written during the adaptation recording and editing process of the longes...
The bachelor thesis contains a brief insight into the theory of music and sound on the stage. Descri...
This paper investigates the importance of forming the virtual space in recorded music. With a produc...
Radio drama has been around for more than one hundred years and is still vibrant in many countries. ...
In this paper, the Sound Space Manifold is described as an interaction between sound and geometry th...
This thesis is dealt with one of the most important domain in preparatory and production works of ra...
This study is a case history of radio drama production at one particular broadcasting authority in W...
Background in acoustics. The depth of acoustic events represents one of the most ambiguous aspects o...
Non-visual radio production, revealing the conflict with the classical art canon, demarcates its ow...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
This paper explores ideas related to Electronic Voice Phenomena (EVP) and the disembodied voice in m...
In this 'diary on sound' written during the adaptation recording and editing process of the longest ...
This article explores the use of sound in the context of two BBC World Service development-focused s...
In this \'diary on sound\' written during the adaptation recording and editing process of the longes...
The bachelor thesis contains a brief insight into the theory of music and sound on the stage. Descri...
This paper investigates the importance of forming the virtual space in recorded music. With a produc...
Radio drama has been around for more than one hundred years and is still vibrant in many countries. ...
In this paper, the Sound Space Manifold is described as an interaction between sound and geometry th...