In this work I am focusing on the personality of Belgian director and screenwriter Chantal Akerman and her style in the movies Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles and La Bas. I chose these two between many for different reasons. These are one of her first movies and one of her last ones, however there is a strong bond between them. Both movies are similar in how the main character ? a woman who stays at her home better than anything else ? is perceived by the audience. Both women are happy in their stereotypical life and they are fully dedicated to the everyday house chores which stands for some kind of therapy to them. None of these two women is realizing this obvious fact though. I use these two very personal movies to p...
Temporality, Spatiality and Looking in Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 B...
Cléo de 5 à 7 (1962), Jeanne Dielman, 23 quai du commerce, 1080, Bruxelles (1975) : deux films de fe...
Chantal Akerman is now one of the most highly regarded filmmakers in Europe with a long career reach...
In this essay, I discuss how filmaker Chantal Akerman sets up Jeanne Dielman as a means to study t...
Chantal Akerman is generally considered a feminist cineast by the commentators of her work, especial...
This thesis attempts to broaden the critical boundaries within which the films of Chantal Akerman h...
If you choose to show a woman's gestures so precisely, it's because you love them. Chantal AkermanWo...
Chantal Akerman was 18 when she made her first film, Saute ma ville (1968). In it, her young body si...
Included as part of the Official Selection in the Directors’ Fortnight at the Cannes Film Festival i...
The text is an analysis of the metaphors of space, borders and doors in the film Jeanne Dielman by C...
To challenge the increasing tendency to read Chantal Akerman’s oeuvre autobiographically, this artic...
This article studies the cinematographic career of Chantal Akerman by placing it within the feminist...
Chantal Akerman is now one of the most highly regarded filmmakers in Europe with a long career reach...
Nossa hipótese é que por meio da claustrofobia doméstica que emana de toda a estrutura dos filmes Sa...
One of Akerman’s lesser-known films, Portrait d’une jeune fille de la fin des années 60 à Bruxelles ...
Temporality, Spatiality and Looking in Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 B...
Cléo de 5 à 7 (1962), Jeanne Dielman, 23 quai du commerce, 1080, Bruxelles (1975) : deux films de fe...
Chantal Akerman is now one of the most highly regarded filmmakers in Europe with a long career reach...
In this essay, I discuss how filmaker Chantal Akerman sets up Jeanne Dielman as a means to study t...
Chantal Akerman is generally considered a feminist cineast by the commentators of her work, especial...
This thesis attempts to broaden the critical boundaries within which the films of Chantal Akerman h...
If you choose to show a woman's gestures so precisely, it's because you love them. Chantal AkermanWo...
Chantal Akerman was 18 when she made her first film, Saute ma ville (1968). In it, her young body si...
Included as part of the Official Selection in the Directors’ Fortnight at the Cannes Film Festival i...
The text is an analysis of the metaphors of space, borders and doors in the film Jeanne Dielman by C...
To challenge the increasing tendency to read Chantal Akerman’s oeuvre autobiographically, this artic...
This article studies the cinematographic career of Chantal Akerman by placing it within the feminist...
Chantal Akerman is now one of the most highly regarded filmmakers in Europe with a long career reach...
Nossa hipótese é que por meio da claustrofobia doméstica que emana de toda a estrutura dos filmes Sa...
One of Akerman’s lesser-known films, Portrait d’une jeune fille de la fin des années 60 à Bruxelles ...
Temporality, Spatiality and Looking in Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 B...
Cléo de 5 à 7 (1962), Jeanne Dielman, 23 quai du commerce, 1080, Bruxelles (1975) : deux films de fe...
Chantal Akerman is now one of the most highly regarded filmmakers in Europe with a long career reach...