Connie Lim Keh Nie and Mohamad Fadzil Abdul Rahman discuss how instrumental music performed in the past by the indigenous tribes in Sarawak, are gradually vanishing, or merging with contemporary musical styles, transforming to a modern fusion of ethnic folk music. The authors touch on the diversification of Malaysia’s traditional music, and the approaches adopted by composers and arrangers
Historically, notation in Southeast Asia has been used for musical documentation and preservation ra...
The varieties of Nusantara culture become so attractive among art observers around the world, one of...
The purpose of this is to examine the effects of the unwanted pandemic towards music studies specifi...
The state of Sarawak, located in the north of the island of Borneo, was part of the Sultanate of Bru...
Objective – This paper examines Dusun Tindal’s instrumental music practice within the context of mod...
Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around t...
The East Malaysian state of Sarawak lies on the island of Borneo, the center of maritime South-east...
Globalisation and information technology have posed challenges to cultural systems whereby new ways ...
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( J...
The Riau Islands have a diverse Malay musical heritage, but also a population of extreme demographic...
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( J...
This study intends to discuss the sustainability of Malaysian Chinese music and its furtherance in t...
In the North of Thailand, known as Lanna, dynamic musical change is an inevitable corollary of peopl...
This thesis aims to survey the music of the various peoples that form the multi-racial society of We...
Traditional music is a part of our cultural heritage. However, traditional music is growing less in ...
Historically, notation in Southeast Asia has been used for musical documentation and preservation ra...
The varieties of Nusantara culture become so attractive among art observers around the world, one of...
The purpose of this is to examine the effects of the unwanted pandemic towards music studies specifi...
The state of Sarawak, located in the north of the island of Borneo, was part of the Sultanate of Bru...
Objective – This paper examines Dusun Tindal’s instrumental music practice within the context of mod...
Angklung is a traditional musical heritage musical instrument originating in Indonesia, but around t...
The East Malaysian state of Sarawak lies on the island of Borneo, the center of maritime South-east...
Globalisation and information technology have posed challenges to cultural systems whereby new ways ...
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( J...
The Riau Islands have a diverse Malay musical heritage, but also a population of extreme demographic...
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( J...
This study intends to discuss the sustainability of Malaysian Chinese music and its furtherance in t...
In the North of Thailand, known as Lanna, dynamic musical change is an inevitable corollary of peopl...
This thesis aims to survey the music of the various peoples that form the multi-racial society of We...
Traditional music is a part of our cultural heritage. However, traditional music is growing less in ...
Historically, notation in Southeast Asia has been used for musical documentation and preservation ra...
The varieties of Nusantara culture become so attractive among art observers around the world, one of...
The purpose of this is to examine the effects of the unwanted pandemic towards music studies specifi...